240 Hours in One Day

Auto-racing crews prepare for the Indy car race near Fuji in this Japanese documentary. Award-winning director Hiroshi Teshigahara compares the celebrated event with the enthusiasm of the youth of the time to the sport. Narration is provided by Shoichi Ozawa and compliments a well-crafted feature that will only appeal to die-hard auto-racing fans.

A vacationing entomologist suffers extreme physical and psychological trauma after being taken captive by the residents of a poor seaside village and made to live with a woman whose life task is shoveling sand for them.

Blind masseur Zatôichi travels from town to town gambling, drinking, and fighting off the local gangs.

Exquisite exploration of landscape and Toru Takemitsu's music for a Japanese moss garden.

A documentary about the eponymous Puerto Rican boxer

A businessman with a disfigured face obtains a lifelike mask from his new doctor, but the mask starts altering his personality and causing him to question his identity.

Late in the 1500s, an aging tea master teaches the way of tea to a headstrong Shogun. Through force of will and courageous fighting, Hideyoshi becomes Japan’s most powerful warlord, unifying the country.

A man wanders into a seemingly deserted town with his young son in search of work. But after a bit of bad luck, he joins the town's population of lost souls.

Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. With camera work as bold and sensual as the curves of his subject's organic structures, Teshigahara immortalizes Gaudí on film.

A film in four episodes presenting teenage girls chosen as representative of their country and our time, in Italy, France, Japan and Canada. In spite of the stylistic peculiarities of the filmmakers, we find in each of them the same desire not to affirm anything, not to judge, but to quite simply show.

Furuta Oribe is ordered to become tea master under Toyotomi Hideyoshi after his teacher Sen no Rikyū, the former tea master, was ordered to commit suicide. Princess Goh, daughter of the lord but adopted by Hideyoshi, is outraged when Rikyū's severed head is thrown in the Nijo River. She sends Usu, Oribe's servant, to retrieve the head and deliver it to Rikyū's adopted daughter.

A day in the life of Ako, a 16-year-old Japanese girl, and her friends and co-workers. An alarm clock wakes her in a dorm; she gets ready for work and travels to a large bakery. We see her with friends, chatting and laughing, as well as working. They go out, seven of them jammed in an old Pontiac: bowling, then to an amusement park, then driving around. Car trouble may put her at risk. Is she going to be okay? One of four film sketches on the problems of adolescents facing the adult world in the 1960s included in the anthology film That Tender Age (La fleur de l'âge, ou Les adolescentes). The three other sketches were directed by Michel Brault, Jean Rouch, and Gian Vittorio Baldi.

A private detective is hired to find a missing man by his wife. While his search is unsuccessful, the detective's own life begins to resemble the man for whom he is searching.

During the Vietnam War, an American G.I. deserts his base in Japan and escapes to Tokyo with the help of his Japanese bar hostess girlfriend. In the capital he gets involved with an anti-war organization while dodging the military police.

This is the sequel to Jose Torres (1959), the portrayal of Puerto Rican boxer Jose Torres, who won a silver medal in the 1956 Melbourne Olympics. We follow Torres from his training in preparation to challenge world lightweight champion Willie Pastrano, to the match and Torres’ victory in 1965. The contrast between the nervous Torres before the match, filmed in painstaking detail, and the first round, filmed in one shot, is striking.

The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's father Sofu Teshigahara worked as the grand master of the school.