The Dream

The film's artistic premise seeks a plastic equivalent to express the literary content of Gilbet K. Chesterston's prose. It is a graphic film showing the metamorphosis of a tree, the main character of the film. It is predatory and dangerous to the nature around it. It catches and feeds on birds, which, suspecting nothing, live among it.

The villagers one day are surprised by a strange phenomenon - a high embankment begins to form all over the area. Like in a mole pit, the shifting earth destroys everything around it. After the "cataclysm", new blocks of flats - all made of concrete slab - rise in place of the destroyed farms. Only the residents, transferred to new conditions, do not change their habits.

A picture of the life of residents of a modern apartment block. Thanks to the use of the trick technique, the film shows in cross-section apartments-similar boxes, the interiors of which are inhabited by different tenants. Hundreds of events happen in the big, busy moloch house: mundane and unusual, funny and tragic. However, they are all episodes to which no significance is attached. Life goes on...

A tribute film in honor of the zoopraxiscope inventor Eadweard Muybridge.

A family prepares to meet friends.

The film Survival offers a grotesque critique of homelessness and environmental decay through a unique blend of live-action and diverse animation techniques, including pixilation and 3D. As an auteur project, it integrates these styles seamlessly to create a striking artistic vision. Its scenography embraces upcycling or "trash art," echoing Marcel Duchamp’s legacy of elevating banal objects into profound art. By incorporating street art and graffiti, the film sparks dialogue about art’s role in society. This innovative approach transforms waste into priceless commentary, challenging viewers to reconsider their surroundings and the nature of creativity itself.

A film about art. Unusual compositions of images give familiar objects a new look.

A film impression set to the music of Leopold Mozart, realized using the combined animation technique. A child's toy—a mysterious box with many drawers, double bottoms, and unexpected nooks—reveals a new, surprising image with each touch: old instruments, faded photographs, playing cards, tin soldiers, and clay birds. The image changes like a kaleidoscope—each subsequent rotation of the box's wall surprises the viewer, creating a new form by partially leaving the previous one behind and building a new one.

A little girl's cold spreads all over town in this short pop-art styled animation.

Short ecological satire animation.

Experimental actor-animated film, shot in one long take. The action takes place in the stairwell of a multi-story building, where there is one elevator and the alternative is the only staircase.

In the kingdom of Lailonia lives the merchant Pigu along with his daughter Memi. Pigu toils to sell pheasant-eating fork protectors to the people of Babylonia, and brings combs for combing camels, which the people of Lailonia immediately snatch up by paying salty prices for them. The merchant Pigu is prosperous. and since a favorite pastime in his country is pecking at globes, Pigu brings his daughter Memi a new globe from each trip.

A film impression set to the music of Wolfgang Amadeus Mozart, realized using puppet animation techniques, with the visual layer inspired by the paintings of Giuseppe Arcimboldo.

The colorful balloon undergoes constant metamorphosis. Eventually, it becomes a huge hand arranged in a fig, only to change immediately, however.

A film to classical music made using the pixilation technique - animation of a live set with a time-lapse camera. Panorama of the city shown to the rhythm of music imitating the rhythm of the flight of a bumblebee. The camera here plays the role of eyes - it is from the point of view of the flight of the insect that the world is shown. The image of the roofs of houses is coming closer or moving away. A chimney sweep standing on the roof abruptly dodges something flying at him...

A film miniature set to music by Robert Schumann. Various faces of women taken from paintings by Leonardo da Vinci, Raphael, Botticelli, Titian, and Ingres show women as muses, ladies, heroines, and lovers. The clash of perspectives on women by artists from different eras and the depiction of women in many incarnations constitute a cinematic attempt to define the essence of femininity—an eternal theme explored by painters of all ages. The film culminates in Mona Lisa's mysterious smile, which is the director's commentary on the constant attempts to capture the ephemeral, the indefinable, and the elusive.