The Dream

A tribute film in honor of the zoopraxiscope inventor Eadweard Muybridge.

The film Survival offers a grotesque critique of homelessness and environmental decay through a unique blend of live-action and diverse animation techniques, including pixilation and 3D. As an auteur project, it integrates these styles seamlessly to create a striking artistic vision. Its scenography embraces upcycling or "trash art," echoing Marcel Duchamp’s legacy of elevating banal objects into profound art. By incorporating street art and graffiti, the film sparks dialogue about art’s role in society. This innovative approach transforms waste into priceless commentary, challenging viewers to reconsider their surroundings and the nature of creativity itself.

A little girl's cold spreads all over town in this short pop-art styled animation.

Short ecological satire animation.

The colorful balloon undergoes constant metamorphosis. Eventually, it becomes a huge hand arranged in a fig, only to change immediately, however.

A film to classical music made using the pixilation technique - animation of a live set with a time-lapse camera. Panorama of the city shown to the rhythm of music imitating the rhythm of the flight of a bumblebee. The camera here plays the role of eyes - it is from the point of view of the flight of the insect that the world is shown. The image of the roofs of houses is coming closer or moving away. A chimney sweep standing on the roof abruptly dodges something flying at him...

A film miniature set to music by Robert Schumann. Various faces of women taken from paintings by Leonardo da Vinci, Raphael, Botticelli, Titian, and Ingres show women as muses, ladies, heroines, and lovers. The clash of perspectives on women by artists from different eras and the depiction of women in many incarnations constitute a cinematic attempt to define the essence of femininity—an eternal theme explored by painters of all ages. The film culminates in Mona Lisa's mysterious smile, which is the director's commentary on the constant attempts to capture the ephemeral, the indefinable, and the elusive.