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The male drummer of a rock band doesn't take part in arguments that come to the fore between his fellows, but prefers to observe everything and prepare himself for his first time as a soloist.

High school students find their way in life at Las Delicias agrotechnical boarding school in the Argentine countryside. This striking coming-of-age film takes place against an inviting backdrop of fields of crops, greenhouses full of tomato plants, and the somewhat dilapidated school buildings, where dogs and chickens roam.

A fairly realistic fiction by Martín Piroyansky about the life of Martín Piroyansky. The story revolves around an actor who loses his job due to an employment contract, which for many people is an unsolved mystery.

Buenos Aires, Argentina, 1971. Carlos Robledo Puch is a 19-year-old boy with an angelic face, but a vocational thief as well, who acts ruthlessly, without remorse. When he meets Ramón, they follow together a dark path of crime and death.

The Luján River, the Basilica and an amusement park. Fabián, set designer and creator of horror labyrinths, builds the Ciclón Fantasma. Alejandro and Rosa walk along the riverbank looking for fossils. The characters seek to make their dreams come true in a space full of myths and beliefs.

During the Argentine dictatorship of the eighties, two gravediggers are in charge of burying all the N.N. that arrive at the cemetery. One afternoon they bring the corpse of a beautiful girl whom they both fall in love with. That rainy night will be the excuse for a reflection in candle on the friendship, the old age and the bitter beauty.

Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true events, set in the Argentina of 1979, this film is one about love.

A 36-year-old meek woman realizes that there’s younger people trying to outpace her doing much less, so she makes a risky change by removing her filter.

Patagonia, 1960. A German doctor meets an Argentinean family and follows them to a town where the family will be starting a new life. The family welcomes the doctor into their home and entrust their young daughter to his care, not knowing that he is one of the most dangerous criminals in the world.

Luisa works temporarily babysitting children in a factory. For an inopportune occasion, they are left with their boyfriend in charge of a boy who accidentally suffers from drug poisoning. Luisa and her boyfriend will be involved.

Pablo and Valeria are dating and love each other, but like any couple, the relationship has several twists and turns. In addition, they must learn to survive in New York, as difficult as it is for two young Argentines.

Argentina continues Saura’s lyrical exploration of the essence, talent and patrimony of popular dance and song in both fiction and documentary

In 2001, far from the space ships, Argentina suffers a social and economic crisis that rages the fury in the streets. Looting, violence and terror are part of the everyday landscape. Fear overflows the atmosphere and families are breaking down in a rarefied climate.

An incomplete travel (and sound) chronicle; a place occupied by maps and globes; a recollection of memories instead of the repetition of an imprecise image. In the spaces that remain between these surfaces, Recording Rituals intends to meditate on the relationship between landscape and archive in the construction of imaginary communities and material memory.

An old woman wears herself out with every movement, entrenched in her room. Each of the gestures of her aching body reminds her of the years of prison and torture she experienced as a political prisoner of the Uruguayan dictatorship. At the end of the 1960s, Élida Valdomir was an armed leader of the Tupac Amaru movement and never denied her commitment. In this almost closed door, yesterday's memories and today's images constantly respond to each other.

Troubled by his stutter, a young performer will do whatever it takes to deflect responsibility for his voice, even if it means renouncing his dream.