Adrián Muoyo

Park Ranger Pablo Silva remakes his life in his new destination, a forgotten and troubled place that few want to go to, the Pereyra Iraola Park. Soon, under an apparent tranquility, he discovers a network of poachers, traffc and hoaxes. His old hunter instinct will arise. He can hide from everyone, except himself.

Nestor is extremely superstitious. This year, his team plays the ascent in Mendoza and prepares to travel with Rafa, his friend. But Fabian appears, a mufa. The ascent is in danger, unless they can prevent Fabian from reaching the stadium.

Ariel is a good-looking farm boy who lives with his father and sister in a rural part of Buenos Aires province. He has become familiar with sex thanks to Omar, a priest with whom he has a secret affair.

A look at love and friendship in a historic moment for Argentina after the recovery of democracy. It tells the story of Julián, a young ranch hand who is reunited with Patricio, the son of his boss and his childhood friend. The passage of time and being face to face in the countryside where they were born, will make them realize that their childhood affection has become an indomitable feeling.

"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.

An emotional yet funny account of the Twins' National Party, in Famaillá, Tucumán, Argentina.

Bárbara Martínez Álzaga arrives at the villa in her car at dusk. The guard greets her from the entrance booth. The villa is empty because her parents are on vacation. Hours later, the guard notices a fire in the mansion and frantically rushes to the scene. He finds Bárbara murdered and incinerated in her bed. He also discovers that the mansion's safe has been looted. Miguel, the Martínez Álzaga family's lawyer, takes charge of solving the enigmatic crime. The guard assures her that no one entered or left the villa before or after Bárbara, and asserts that the young woman arrived unaccompanied.

Norma is a fisherwoman who lives on the islands of Entre Ríos, Argentina. At 55 years old, she still doesn't know what her vocation is, although her true desire is to be an actress. Meanwhile, he dedicates himself to fishing.

Nicholas discovers that in a photograph of him as a child there is something he had not noticed previously: a strange lady who greets the camera, diffuse, in the background; aware that she was also part of the photograph. Nicholas starts asking around if anyone recognizes the lady in the picture.

A serie of short film/stories focusing on places, themes and characters from director native province.

During quarantine, @we.are.eleven and I made this collective project filmed by a bunch of friends.

A reflective examination of a family making sun-dried bricks in a changing economy.

A serie of short film/stories focusing on places from the director native province.

Gastón meets the clown that animated his three-year-old birthday party, who now has new life as Marcel—a trans woman who attends his flower shop next to the cemetery of Nogoyá, Argentina.