Gastón Calivari

Ariel is a good-looking farm boy who lives with his father and sister in a rural part of Buenos Aires province. He has become familiar with sex thanks to Omar, a priest with whom he has a secret affair.

"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.

Documentary portrait about Adrián Muoyo, the head of the Library at the ENERC.

On a desolate rural road, three nuns are returning from mass when they suffer a punctured tire in front of a grocery store. Aurelio and Ernesto help them change the tire. Grateful, they buy them a bottle of gin without knowing that they are victims of the two friends' trap.

A reflective examination of a family making sun-dried bricks in a changing economy.

An emotional yet funny account of the Twins' National Party, in Famaillá, Tucumán, Argentina.

A serie of short film/stories focusing on places, themes and characters from director native province.