Camille Claudel

In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts, they think only of getting the water.

In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.

Martinaud, an illustrious notary suspected of being the perpetrator of two horrendous crimes, voluntarily agrees to be questioned by Inspector Gallien on New Year's Eve. What initially is a routine procedure, soon becomes a harsh interrogation that seems to confirm the initial suspicions.

In the 18th Arrondissement of Paris, Lambert, an aloof garage manager working the night shift at a petrol station spends his time drinking on the job, content in his own company. One night, Bensoussan, a small-time drug pusher in dire straits falls in on a stolen moped pretending to need a spark plug. The two men develop an unlikely friendship.

A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.

A man returns to the place he once lived a passionate love affair with a woman who is now dead. So powerful are the emotions that seize him that he imagines she is still alive, and begins to live as if this were the case...

The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.

Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.

In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

Anne-Marie Stretter, the wife of a French diplomat in 1930s India, takes many lovers to relieve the boredom in her life.

Helene, a pill-addicted anesthesiologist, is mourning the death of her boyfriend when, through a car accident she causes, she chances to meet the lethargic Gilles, a young man who lives for free at his mother's hotel. Gilles pursues Helene romantically, and she eventually softens up. Gilles, however, is also devoted to Bernard, a petty crook who revels in mugging gay men. All three struggle with relationships that seem to be going nowhere.

With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.

In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.

Constructed like an animated painting in a single fixed shot where light, voice, music and movements interfere.

In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.