Bruno Nuytten

A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.

Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.

In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.

The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.

In this whimsical fable, Resnais deftly interweaves three story lines: the creation of an early-20th-century utopia; romantic high jinks at a school conference; and a fantasy sparked by F/X pioneer Georges Méliès.

In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts, they think only of getting the water.

In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.

Emile Chenal and his wife, Françoise, leaned on boxing manager Jim Fox Warner to cough up the considerable sum of money that he owes them, with both the police and the mob circling the situation. In the same hotel, Inspector Neveu looks into a murder that took place years before, and his storyline overlaps with the arc of the Chenals.

Shortly after returning home one evening with her husband, Alma is visited by her one-time lesbian lover Carole. In the ensuing emotional torrent, Alma allows herself to be abducted by Carole and taken to a hotel, pursued by a young girl - an unnamed friend of Carole - and an eccentric bystander posing as a private detective. Before Alma and Carole can resolve their situation, Alma's husband Andrew appears on the scene and, in a mad frenzy, attempts to reclaim his wife…

The movie shows a smattering of images from the story of Wilhelm Jensen's Gradiva. The subject is sublimated desire.

A former porn director, who once elevated the genre with 1960s counter-culture ideals, returns to filmmaking after 20 years, clashing with his producer's hard-core vision. Estranged from his son over the family business, they begin reconnecting as the son embraces political activism, while the director seeks personal renewal.

With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.

In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.

Constructed like an animated painting in a single fixed shot where light, voice, music and movements interfere.

Anne-Marie Stretter, the wife of a French diplomat in 1930s India, takes many lovers to relieve the boredom in her life.

The life of Camille Claudel, a French sculptor who becomes the apprentice of Auguste Rodin and later his lover. Her passion for her art and Rodin drive her further away from reason and rationality.

Martinaud, an illustrious notary suspected of being the perpetrator of two horrendous crimes, voluntarily agrees to be questioned by Inspector Gallien on New Year's Eve. What initially is a routine procedure, soon becomes a harsh interrogation that seems to confirm the initial suspicions.

Stages a double persona on a music of Monteverdi (Ariadne’s lamento interpreted by Janet Baker).

French Postcards rings both comic and true. The believable, fresh-faced characters are young naives from American colleges spending their French-English dictionaries, they compulsively seek out hundreds of monuments, romanticize the nomadic artist's life, and look for grown-up love. The French tutor them well, as befits their reputation. Jean Rochefort is the harassed headmaster with a hankering for affairs, and Marie-France Pisier is his very sexy wife. Watch for a newcomer named Debra Winger, and another-Mandy Patinkin.

A young girl sews her own wedding dress and gets married alone.

In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

Helene, a pill-addicted anesthesiologist, is mourning the death of her boyfriend when, through a car accident she causes, she chances to meet the lethargic Gilles, a young man who lives for free at his mother's hotel. Gilles pursues Helene romantically, and she eventually softens up. Gilles, however, is also devoted to Bernard, a petty crook who revels in mugging gay men. All three struggle with relationships that seem to be going nowhere.

Unable to put a single word on paper, a youngish man with one novel to his credit finds that his life is crumbling to ruins around him because of his severe case of writer's block. He tries every remedy known to man and makes up a few new ones in this comedy. All his efforts are futile: he loses his girlfriend and his apartment and has a succession of misadventures until finally, homeless and hospitalized, he rediscovers his inspiration.

The story of a serial killer but bears little resemblance to a slasher movie. We know almost at once who the killer is and the emphasis is not on the murders but on his psychology as he falls in love with one of his prospective victims - a weakness which, of course, will be his downfall.