Jet Leyco

Three people start a strange therapy to escape their agonies. Each attempts to process those they lost during the Marcos dictatorship while examining their own grief.

A young effeminate boy attempts to find his place in a dying world of men with the help of a miraculous jackfruit.

After reconnecting through a phone call, Justin, an analog filmmaker, and Grace, a frustrated poet, reminisce about the day they first met — a day that Justin tries to recreate from memory.

The film opens with images of a sorrowful young woman. The film concludes with images of a desperate young man fleeing into a jungle. In between, images that comprise a wealth of information, but there is still no clarity. Only the despair of the disappearance.

"Ang Pagbabalik ng Ibong Adarna,” looks into our lost film history and the fight to restore and protect films for the future generations. It focuses on “Ibong Adarna,” one of only six surviving pre-war Filipino movies and the first Filipino film partially made with color. Jeff also follows the story of Mila, one of the movie queens during the golden age of Philippine Cinema, who passionately fought to protect the industry she loved.

In modern-day Metro Manila, a diverse group of Filipinos faces life's lows as their destinies collide on a fateful train ride, unfolding a heartwarming and comedic tapestry of interconnected stories.

Mariano and Doc Ann, visual artists in Dagupan, explore different art spaces and community support to create and exhibit their artistic expressions amidst the perception of a flourishing creative movement in the hometown of the National Artist, Edades.

On a commuter's trip from Manila's business district to the suburbs, the director finds a myriad of possibilities, ranging from miniature ironic situations to a love story that is finally finding its unexpected closing.

A guy is given a chance to mend the breakup with his girlfriend by going back in time through the help of a magic whiskey, called “wishkey.”

Lost cinema. Lost culture. Lost country. Lost people. How to recreate the past with nothing? Cinema of the impossible. The silent past is a horror film. The smell of nitrate in the morning. How many ghosts can the cinema contain? 75 films. 22 years. What is the numerological significance? Too late. Never too late.

The bizarre history of Filipino B-films, as told through filmmaker Andrew Leavold's personal quest to find the truth behind its midget James Bond superstar Weng Weng.

An intimate and often heartbreaking portrait of one of the Philippines' most beloved screen icons.

A story of how a violent crime disrupts a quaint rural town in Batangas. A girl’s dead body is discovered and puts the whole town on trial while the former’s companion remains missing. The ensuing media spectacle slowly exposes the town’s secrets. As they celebrate its yearly festival by the lake, an unknowing sleeping evil unravels and haunts the townsfolk.

It follows the story of a stepmother who, after moving in the home of her husband is haunted by her possessed stepdaughter.

A man hides out in the mountains after accidentally killing a priest. However, the area is far from safe. Soldiers and rebels hunt one another there. The fateful location is visualised with a mixture of oppressive, moving and still, black-and-white images. Don’t move a muscle.

A hardworking father drives a jeep while his son helps him earn money for his medication, suddenly three men block their route and steals all their money.

A mischievous child arrives on an enigmatic island and learns the value of time and life as he finds his way back home to his father.

Four interconnected stories during the height of the Martial Law crackdown against rebels. The palpable aura of fear leaves Filipinos in a state of paralysis, unable or unwilling to move until the dark cloud of history passes over.

Stories of Filipino men and women, and other living things passing through similar objects, familiar spaces, non-linear time and dreams alike–all connected from the lens and experience of a stranger, an Alien whose language is disconnected and demands an interaction from the viewer to reconnect these stories to find their own meaning.

Left and right are the wakes of the deceased in a barrio in Isabela, but noticed by Amang, a native Ilocano, it seems that their tradition of the "Pagdudung-aw" during wakes has disappeared. This drives him to pass on the tradition to Balong, his only son.

Anan, a young faith healer of the Baryo Hinirang, is on his quest to find the answer behind the scarcity and death in his small community when he falls under the spell of Tres Marias, whom he encountered face-to-face. Contesting the old beliefs about the wickedness of the creature and the testimony of his grandfather, Tandang Igo, Anan gave relief to the community with the “miracle water” from the river of Tres Marias. With all the praise and adoration, the community, headed by Anan, invites the Tres Marias to live with them. Is the baryo ready for what is coming next?

When a documentary crew covers the Philippine Giant Monster Defense Institute's MIGHTY ROBO V Program, they learn that maybe the wrong people were hired for the job.

Two men take a train ride to find out the truth about their father.

In a lifeless morgue, an embalmer is consumed by a strange desire to secretly taste corpses he prepares, searching for something beyond the ordinary. His morbid obsession spirals when he’s sent to retrieve a body—only to discover that the corpse is his own.

The nation's girl group BINI truly lives up to its name, taking the country by storm. Follow their journey from humble beginnings to massive success in this three-part documentary series.