La família

Lis is a teenager whose dream is to become a circus artist and leave her hometown, even if she knows that to do it she’ll have to fight her side against her parents. It’s summer and she spends her days playing with her friends and flirting with her boyfriend, a few years older than herself. The lack of privacy and the neighbours’ gossip force Lis to keep their relationship secret so that her parents won’t find out. A relationship which change her live forever.

Mara visits an old friend who lives in the Sierra de Irta, Vera, who did not expect this visit, is about to go to Valencia to spend the Easter holidays. When Vera leaves, Mara makes a strange and irrational decision: to occupy her friend's house for a few days.

Valia is a young woman used to observing others as part of her work, and so reality is becoming a canvas where characters live out a kind of life. She records the same shot with a small video camera: the street in front of her apartment where there is a restaurant. Some days later, she meets Guido, the owner of the Italian restaurant. Guido is her antithesis, perfectly adapted to daily life and conscious of his own social dimension. Valia, on the other hand, lives in this two-dimensional world, separated from what is actually happening and what she observes. Valia's life changes when she discovers a small lump on her breast and she is diagnosed with breast cancer. With Guido, Valia recovers her otherness while facing her end.

Marta, a 17-year-old girl, is on holiday in an African resort with her with her estranged dad and annoying little brother. Martha’s fascination for Khouma, a Senegalese cameraman who works filming the tourists' excursions, will add even more tension to her already troubled relationship with her father.

Cecilia Bartolomé, a filmmaker, screenwriter, and producer from Alicante, is a pioneer of Spanish cinema. Mistreated by censorship, she still preserves at 80 the free spirit that has always defined her. We will journey with her through a fascinating life, a vital body of work, and a struggle that remains—so far, yet so close.

Moisés, a Brazilian from Minas Gerais, overcomes poverty, racism, and homophobia to become an internationally renowned pianist. Passionate about music since childhood, he teaches himself to play the piano, practicing on keys he draws on a wooden bench. Through perseverance and determination, he eventually reaches the University of Bremen in Germany, where he begins his career as a soloist. After years in Europe, he returns triumphantly to his hometown of Juiz de Fora, giving a recital where his parents see him perform for the first time.

Sara has fallen in love with Iván, a man who is invisible to Sara. Ivan does not reciprocate. Sara becomes obsessed with him instead of taking care of herself.