Domestic Violence

The School for the Deaf at the Alabama Institute is organized around a theory of total communication, i.e. the use of signs and finger spelling in conjunction with speech, hearing aids, lip reading, gestures and the written word. Sequences deal with various aspects of this comprehensive training such as teaching students and parents to sign; speech therapy; psychological counseling; regular academic courses; vocational training; disciplinary problems; parents visits; sports and recreational activity; training in living and working independently; and developing skills in home and money management.

A documentary exploring the landscape of Madison Square Garden. Filmed in 1997 and prevented from public screening by the property's operators.

An exploration of the inner workings of the New York City-based American Ballet Theatre, one of the most prestigious ballet schools in the world. All facets are explored, from dancers Julio Bocca, Alessandra Ferri and Susan Jaffe in their relentless rehearsals to the managers and businesspeople who keep it running. The dancers' lives outside are represented as well, as they balance the strict demands of professional ballet with their personal lives.

Showcasing the best in international documentaries, Storyville has developed an enviable reputation since its inception more than a decade ago. Screening over 340 films, from some 70 different countries, the strand has garnered a staggering array of awards: five Oscars, 15 Griersons, three Peabodys and two International Emmys. In true, unique, Storyville style, the new series promises to deliver the strand's usual eclectic mix of compelling stories from across the globe.

The famous New York City landmark is given the spotlight, as well as the variety of ways in which people make use of it: running, boating, walking, skating, music, theatre, sports, picnics, parades and concerts. Further illustrated are the complex problems the NYC Parks Department deals with in order to maintain and preserve the park and keep it open and accessible to the public.

Frederick Wiseman’s unflinching portrayal of life at the Ida B. Wells housing project in Chicago, a raw exposition of the daily conflicts between residents and the bureaucratic machinery to which they are continually subjected. With intimate detail and an abiding dedication to his subject, Wiseman unearths the hidden facets of institutions to find humanity and sites of unexpected beauty.

Acclaimed documentary filmmaker Frederick Wiseman analyzes the interrelation between animals and their human captors at Miami's Metro Zoo. Looking past the chipper veneer of zoos as venues for childhood wonderment, he probes the institutional machinations behind the exhibitions, from the dedicated veterinarians and zookeepers who care for the animals to the administrative staff who are tasked with their ethical, technological and financial upkeep.

Employing methods of direct cinema–observation, limited stylization, and non-intervention–this stark look into the State Prison for the Criminally Insane in Bridgewater, Massachusetts shows its denizens, who were often kept in barren cells and infrequently bathed, forced to strip naked publicly, force feeding, and the indifference and bullying by many of the hospital's staff.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

Explores a long-term relationship between a man and a woman: the man, Leo Tolstoy; the woman, his wife, Sophia. Married for 36 years, had thirteen children, nine of whom survived, each kept a diary. Although they lived together, in the same house, they frequently wrote letters to each other. Leo insists that they read their diaries aloud to guests at dinner parties. The Tolstoys were also a dysfunctional couple, arguing frequently and being very unhappy with each other while occasionally enjoying passionate moments of reconciliation. Sophia’s monologue explores the joys and struggles of their life together, loosely drawn from their letters to each other and their diary entries.

Follow the people who live and work in the Panama Canal Zone and glimpse into both the operation of the Canal and the various governmental agencies — business, military, and civilian — related to the functioning of the Canal and the lives of the Americans in the zone. Features sequences of ships in transit, the work of special canal pilots, aspects of the civil government, work of the military, and the social, religious and recreational life of the Zonians.

Before the Memphis Juvenile Court are a complex variety of cases: foster home placement, drug abuse, armed robbery, child abuse, and sexual offenses. Sequences illustrate such issues as community protection versus the desire for rehabilitation, the range and the limits of the choices available to the court, the psychology of the offender, and the constitutional and procedural questions involved in administering a juvenile court.

As an imminent construction project looms over their beloved small-town baseball field, a pair of New England rec-league teams face off for the last time. Tensions flare up and ceremonial laughs are shared as an era of camaraderie and escapism fades into an uncertain future.

Rachel loves her life, her students, her friends, her ex, her guitar lessons. When she falls in love with Ali, she grows close to his 4-year-old daughter, Leila. She tucks her in, looks after her, and loves her like a mother... which she isn’t. Not yet. Rachel is 40. The desire for a family of her own is growing stronger, and the clock is ticking. Is it too late?

Direct cinema pioneer Frederick Wiseman takes an in-depth look at the preeminent American university during a fall semester that saw a vigorous debate over tuition hikes, budget cuts, and the future of higher education in the United States.

When aimless Manon begins work at À mon seul désir, a strip club that offers high concept performances, she instantly bonds with her fellow strippers, particularly Mia, an aspiring actress with a boyfriend and child. Manon learns that it is “not easy money, but fast money” and when she finds herself falling for Mia, she is forced to question her priorities as she explores her newfound erotic life.