Frederick Wiseman

When renowned psychiatrist Lilian Steiner learns of the sudden death of a patient, she suspects murder. She mounts a private investigation, enlisting an odd assortment of quirky characters.

When aimless Manon begins work at À mon seul désir, a strip club that offers high concept performances, she instantly bonds with her fellow strippers, particularly Mia, an aspiring actress with a boyfriend and child. Manon learns that it is “not easy money, but fast money” and when she finds herself falling for Mia, she is forced to question her priorities as she explores her newfound erotic life.

Rachel loves her life, her students, her friends, her ex, her guitar lessons. When she falls in love with Ali, she grows close to his 4-year-old daughter, Leila. She tucks her in, looks after her, and loves her like a mother... which she isn’t. Not yet. Rachel is 40. The desire for a family of her own is growing stronger, and the clock is ticking. Is it too late?

An aspiring author looking to get more out of life takes up a writing residency and finds herself in the sort of romantic entanglements that could come from the pages of a Jane Austen novel.

Employing methods of direct cinema–observation, limited stylization, and non-intervention–this stark look into the State Prison for the Criminally Insane in Bridgewater, Massachusetts shows its denizens, who were often kept in barren cells and infrequently bathed, forced to strip naked publicly, force feeding, and the indifference and bullying by many of the hospital's staff.

One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

A cinéma vérité exploration of the grueling schedules, auditions, lighting design, and backstage operations at the famous Parisian nude cabaret, Le Crazy Horse de Paris, over a ten-week period, specifically capturing the creation of a new show put together by choreographer Philippe Decouflé. Wiseman highlights the immense precision, discipline, and artistic effort required by dancers and staff to maintain the legendary cabaret's distinct aesthetic.

A large and beautiful property on the French Riviera. A place that seems out of time and sheltered from the rest of the world. Anna goes there with her daughter for a few days of vacation. Amidst her family, friends and the house staff, Anna has to handle her fresh break-up with her partner and the writing of her next film.

The famous New York City landmark is given the spotlight, as well as the variety of ways in which people make use of it: running, boating, walking, skating, music, theatre, sports, picnics, parades and concerts. Further illustrated are the complex problems the NYC Parks Department deals with in order to maintain and preserve the park and keep it open and accessible to the public.

As an imminent construction project looms over their beloved small-town baseball field, a pair of New England rec-league teams face off for the last time. Tensions flare up and ceremonial laughs are shared as an era of camaraderie and escapism fades into an uncertain future.

Direct cinema pioneer Frederick Wiseman takes an in-depth look at the preeminent American university during a fall semester that saw a vigorous debate over tuition hikes, budget cuts, and the future of higher education in the United States.

Explores a long-term relationship between a man and a woman: the man, Leo Tolstoy; the woman, his wife, Sophia. Married for 36 years, had thirteen children, nine of whom survived, each kept a diary. Although they lived together, in the same house, they frequently wrote letters to each other. Leo insists that they read their diaries aloud to guests at dinner parties. The Tolstoys were also a dysfunctional couple, arguing frequently and being very unhappy with each other while occasionally enjoying passionate moments of reconciliation. Sophia’s monologue explores the joys and struggles of their life together, loosely drawn from their letters to each other and their diary entries.

Founded in 1930, Troisgros has held three Michelin stars for 55 years. The children of the fourth generation, Marie-Pierre and Michel's sons continue the family business: César runs the Michelin-starred restaurant, 'Le Bois sans feuilles' ('The Leafless Wood'), and Léo is in charge of one of the other two Troisgros restaurants, 'La Colline du colombier' ('The Dovecote Hill'). From the daily market to the cheese maturing cellars, via the vineyard, the cattle farm and the vegetable garden adjacent to the restaurant, Menus-Plaisirs is an intimate, sensory journey through the kitchens of one of the world's most prestigious restaurants.

What really happens inside the walls of an American high school? Famed documentarian Frederick Wiseman answers that question in this peek inside Philadelphia's Northeast High School, where students constantly clash with teachers, and teachers wage their own battle against the administration. Delving into the everyday struggle teachers face to discipline their unruly charges, the audience is offered a glimpse into the highs and lows at an urban public school.

Veteran award-winning documentarian Frederick Wiseman turns his lens on the world of boxing, specifically on a gym in Austin, Texas. Unobtrusively recording the simple comings and goings at the facility, Wiseman documents daily life at the gym, its many patrons, their routines, and its owner, Richard Lord.

An exploration of the inner workings of the New York City-based American Ballet Theatre, one of the most prestigious ballet schools in the world. All facets are explored, from dancers Julio Bocca, Alessandra Ferri and Susan Jaffe in their relentless rehearsals to the managers and businesspeople who keep it running. The dancers' lives outside are represented as well, as they balance the strict demands of professional ballet with their personal lives.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

Frederick Wiseman observes the ins and outs of the Paris Opera House, including the processes behind seven of their operas: Genus (Wayne McGregor), Le Songe de Médée (Angelin Preljocaj), La Maison de Bernarda (Mats Ek), Paquita (Pierre Lacotte), Casse-Noisette (Rudolf Nureyev), Orphée et Eurydice (Pina Bausch), and Roméo et Juliette (Sasha Walt).

Famous in the 19th-century for silver mining, Aspen is now better known for its scenic splendor, skiing, hiking, and fashion. One typical winter, the destination plays host to the daily activities of people who visit, live and work there.

A documentary exploring the landscape of Madison Square Garden. Filmed in 1997 and prevented from public screening by the property's operators.

Daily life in a Benedictine monastery follows resolution of conflict between personal needs and the institutional and organizational priorities of the community. In the Order, where the focus of life is the relationship of individual work and worship to the community as a whole, the brethren must cope with the same issues that arise in any community: rules, work, worship, values, love, and play.

An epic look at Boston’s city government, covering racial justice, housing, climate action, and more, exploring the government of Boston, MA, from racial justice, housing, climate change action and more. Wiseman's documentaries do not have a standard narrative arc, narration, or interviews, but are based on observation of day-to-day organizational life, in this case, the activities of Boston's city government in fall 2018 and winter 2019. Much of the film follows Mayor Marty Walsh in activities such as meetings with aides at City Hall, addressing business leaders about the impact of climate change on the Harbor, listening to veterans at Faneuil Hall on November 11, observing Thanksgiving Day at Goodwill Industries, and giving his state of the city address at Symphony Hall.

The nature and complexity of the welfare system is explored in sequences illustrating the staggering diversity of constituting problems: housing, unemployment, divorce, medical and psychiatric problems, abandoned and abused children, and the elderly. These issues are presented in a context where workers as well as clients struggle to cope with and interpret the laws and regulations that govern their livelihood.

Showcasing the best in international documentaries, Storyville has developed an enviable reputation since its inception more than a decade ago. Screening over 340 films, from some 70 different countries, the strand has garnered a staggering array of awards: five Oscars, 15 Griersons, three Peabodys and two International Emmys. In true, unique, Storyville style, the new series promises to deliver the strand's usual eclectic mix of compelling stories from across the globe.

Explore the evolution of a couple involved in industrial espionage.