Tange Sazen and the Pot Worth a Million Ryo

A forceful indictment of the devastating effects of war and nationalistic fanaticism on the average man, who, in the face of the absurdity of violence, is reduced to apathy or victimhood.

Yamanaka Sadao's fourth feature film. The Life of Bangaku

In a slum in Edo Japan, a ronin hopes that his deceased father's former master will hire him while a disgraced hairdresser attempts to regain his pride by kidnapping the daughter of a wealthy pawnbroker, who is set to be married.

A boy steals a knife from an old samurai, unaware of its value, setting off a strange chain of events.

Lord Taro must deliver a money chest but is robbed by brigands led by Jibu. One of Jibu's men, Rokuro, steals the money from Jibu, but after meeting and befriending Taro, Rokuro decides to return the money to Taro. But Taro's unscrupulous brother Jiro falsely accuse Taro of the theft, and Taro reactively joins the outlaw band and encourages them to steal from the nobles and give to the poor.

An important silent film survives, Kumahiko Nishina's Umon torimonocho rokuban tegara jinenji kidan (The Samurai Detective, aka The Detective Records of Umon, aka Detective Umon Diary: Exploit Number Six, 1930). Umon on his shining white horse stops a conspiracy against the Shogun. Umon was played by Kanjuro Arashi in this early film, & long after in the post-Occupation jidaigeki revival he reprised the role in Kajiro Yamamoto's Muttsuri Umon torimonocho (1955), helping to launch the renewed interest in such films.

Japanese historical film. Considered Lost.

A tragic period film about a gangster who comes out of prison and finds it hard to find a place again in society. Considered a lost film.

Adaptation of the novel by Osaragi Jirō.

Final installment of the Okochi / Arai / Yamanaka Mito Komon series and just as good as the others (a good deal longer, as well). Again, this film like the other two is similar in tone and spirit to the Yamanaka Tange Sazen film and would appeal to fans of that film.

Adaptation of the novel by Osaragi Jirō. Again scripted by the legendary Yamanaka Sadao