Reizaburo Yamamoto

In postwar Tokyo, a blunt, alcohol-soaked doctor diagnoses a swaggering young yakuza with tuberculosis, forging an uneasy bond that’s tested when the gangster’s ruthless former boss returns and drags him back toward the swampy underworld he can’t escape.

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

A recently released gangster has to cope with the recent shifts of power between gangs, while taking care of a thrill-seeking young woman, who got in bad company while gambling.

Jidai-geki by Kiyoshi Saeki

Kazuo Hasegawa's debut at Daiei.

This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.

Adaptation of the novel by Osaragi Jirō. Again scripted by the legendary Yamanaka Sadao

The eldest daughter of a rural family Mon returns home from Tokyo pregnant after an affair with a college student Kobata, which causes a scandal that will threaten the marriage prospects of the younger sister San, in her cash-strapped family. The ill-tempered eldest brother Inokichi decides to take on the role of disciplinarian, with harrowing results.

A man gets rid of a cheap pot without knowing it contains a map to a treasure. As word spreads, many join in hunting it.

The second film in the "Suruga yukyoden" series, in which Shintaro Katsu plays Jirocho Shimizu. The film features Omasa, Komasa, Ocho, who will become Jirocho's wife, as well as other members of his future family. There is a particularly great swordfight near the end where Katsu and cronies attack the rival villainous yakuza clan to rescue their ailing, elderly boss. The action choreography, cinematography and editing of this sequence is quite brilliant, treading a difficult tightrope act between genuinely goofy antics and exhilirating, bloody violence.

A village struggles to survive when the nearby lake becomes barren of fish.

Director Hiroshi Inagaki's early version of the life and death of famed swordsman Sasaki Kojiro. Otani Tomoemon gives a brilliant performance as Sasaki Kojiro, who rises from humble beginnings to national fame, and a young Toshiro Mifune appears as the legendary master swordsman Miyamoto Musashi for the first time and essentially sets the standard for future portrayals.This masterpiece is based on the original story as written by noted author Murakami Genzo and is far superior to any other versions. Following Kojiro from his earliest days through his fateful meeting with Musashi, this movie is filled with exciting and dramatic moments culminating in the best version of the final duel ever seen on film.

The Blue Pearl depicts the interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life.

Final installment of the Okochi / Arai / Yamanaka Mito Komon series and just as good as the others (a good deal longer, as well). Again, this film like the other two is similar in tone and spirit to the Yamanaka Tange Sazen film and would appeal to fans of that film.

On his release from prison a young yakuza, along with his brother, decides to turn his back on criminal life instead of taking over the position of his recently deceased father, boss of the Asahina clan. But their exit proves more difficult than planned when their rival clan steps in to exact revenge.

Kanji is a poor peasant widower who struggles to earn a living for his daughter and himself and to pay off his father-in-law's debts.

Two obaachans become fast friends listening to music in front of a record store. They both boast about their loving sons but in reality, one had just escaped a retirement home and the other was looking for an escape from her son and daughter-in-law. With nowhere to go, the two wander around, befriending a cosmetics salesman and a kind waitress who give them beer. This biting social satire starring two memorable grandmothers, scripted by Yôko Mizuki, picked up on Japan’s aging population problem far ahead of its time.

Directed by Daisuke Itō.

Tomotaka Tasaka's A Pebble by the Wayside (Robo no Ishi), made in 1938 and taken from a Yuzo Yamamoto novel, takes place around 1902, was about a young boy brought up entirely by his mother since his drunken father is never home. An intelligent teacher wants to send him to middle school, but instead the father apprentices him to a clothing store to which he is in debt. The mother dies and the boy is forced to quit work when his father insults the store owner. Later the boy goes to Tokyo, but only to continue his hardships. First he is forced to do a maid's job at a boarding house and later is used by an old woman to steal at funerals. Finally he is rescued by the teacher, whom he meets in Tokyo.

1951 Japanese movie