Gado Gado

Fuad Din has been missing for 10 years. One day a telegram arrives stating that he will be returning home soon. His family receive the news with mixed feelings. When he finally returns. Fuad faces every conflict calmly and no one in the family knows that he went abroad to seek medical treatment. Tires of living in pretence, Fuad’s only wish is to be in his beloved country and with his loved ones whom he misses dearly.

It tells the story of a family whose recent loss of their daughter make them receptive to the haunting of a murdered child as they move into an old bungalow.

Mahsuri is a Malay film produced in Singapore in 1959.It was produced in Black and white. Ti was based on a local Malay folklore.. The script was written by the first Prime Minister of Malaysia, Tunku Abdul Rahman Putra and was bought by Cathy Keris at RM10,000.

This film exposes the weaknesses found in the high-society consisting of the minister, architects and lawyers. Each has different tastes and desires. As an influential person, the minister used his position to compromise the weak girl. The young lawyer was questioning the good name and status after the girl was betrothed with a tarnished. The young architect ignore Malay art elements. The film also presents a question of love in a family.

Successful police officer ASP Zamri fails to build a happy home. His only child succumbs to leukimia and his life falls apart. Then, he meets Marina daughter of Mr. Cheong, a banker whom he had saved from a robbery cum hostage attempt. In time, Zamri’s frienship with Marina develops into love. Marina is somehow connected to Albert., who in turn is close to Ramon., the leader of the bank robber’s gang. Out of sympathy for ASP Zamri who longs for another child, Mr Cheong convinces Marina to marry the Asp Zamri, but her mother does not bless their marriage. Zamri and Marina are blessed with a son, Jefri, who placed in the care of Faridah, Zamri’s first wife. ASP Zamri spends most of his time with Faridah and Jefri. As a result, Marina starts to feel lonely.

Haji Saaban, the chairman of Melati Holdings, dies suddenly. His son Safuan suspects that the death has something to do with Melati Holding’s. He allows his brother, Saiful to avenge the death of their father. Saiful falls in love with the daughter of one of the board of directors and his desire for vengeance dissipates. Safuan feels that Saiful has betrayed the family and challenges him.

Ibrahim, a rich man, has a spoilt son, Hassan, who is a thief and a liar. When the family adopts nasir, a poor orphan, Hassan does not welcome him. But Sa'adiyah, the daughter of the family, becomes Nasir's devoted friend and ally. After marrying a wife consumed by greed, Hassan turns to thieving to support their lifestyle. He is caught and imprisoned; upon his release, he steals from his adopted brother Nasir. However, Nasir saves him from the arm of the law by informing the police that the stolen items are actually gifts he planned to give Hassan. Hassan is thus released and comes to realise Nasir’s noble heart and kind intentions.

A village comes alive with fear when a nefarious ‘oily man’ terrorises women in the dead of night. At their wits end, the local police enlist the help of talented police inspector Dasuki to trap and end the oily man’s mischief. Orang Minyak was digitally restored by the Asian Film Archive in 2018 using a 16mm black & white composite release print from its collection.

Kassim is living with his brother and sister-in-law when he finds out he is about to inherit all his family's wealth. Kassim, a young man who prefers to sing and play, is thrown out of his home by his brother and deprived of his wealth. He starts to lead a wandering life with two friends. One day, Kassim discovers pirate treasure. (This film is different from the 1952 film Anjuran Nasib, also directed by B.S. Rajhans).

Jamal the son of Kamal a woodsman owner is married to Aminah. Their marriage is blessed even more with Mardiana their new born. But their happiness was short lived when Jamal started to mix around with Harun and his bad influenced friends. Harun is an insurance representative who also works for Aishah the stunning beauty. Jamal is attracted to Aishah so much that he starts to abandon his family. Jamal had to spend a lot of his money to accompany Aishah who is used to the lifestyle of a rich person. Will Jamal ever repent and come back to his originally family and be the father figure he has been all these while?

The film tells the story of a young Javanese man, Ahmad, who leaves his village with a magic protective dagger given to him by his mother. He takes to the seas, eager to discover the world. He reaches the exotic Arabian coast, and travels all the way to Egypt, encountering belly dancers, harem women, etc. He meets Princess Nilam and falls in love. Nilam's father will allow Ahmad to marry her only if he brings back a blue diamond guarded by monsters at a faraway location.

This film is about Osman that accuse his wife dishonest with him after been slander by his own cousin. Does he overcome the matter at the end?

This is a film based on national unity. Hisham, an officer from Kuala Lumpur has travelled to Sabah to build a family but end up having a conflict within the community.

This film is about the danger of drug usage.

Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor

The fairy tale is about two sisters, Bawang Merah and Bawang Putih. After their father dies, Bawang Merah and her mother, Labu, have to share the house with domineering Kundor and Bawang Putih. Bawang Merah has to endure more hardship when her mother dies. She is bullied, beaten and abused in every way imaginable by Kundor and Bawang Putih. As the tale goes, her mother eventually reappears – as a fish. Bawang Merah becomes happier and this puzzles both Kundor and Bawang Putih. Her ship comes in when a Prince hears her singing in the woods and marries her. Of course, Kundor is terribly unhappy that her brat, Bawang Putih, is married to none, let alone a prince. So she devises an evil scheme to destroy Bawang Merah’s marriage and get the prince to notice Bawang Putih.