Limbo: Travestito

The film took place at Villa Pisani (Stra-Venezia), near Venice’s lagoon in Porto Marghera (VE) and in a car cemetery. A beautiful girl covered with a semi-transparent gauze and with a gas mask.

I dreamt of finding myself naked sitting in a café. On the table was a cactus. I was watching it. The cactus also looked at me - and the more it looked at me, the more it was blushing.

The film begins with a shot on the countryside near Padua. A young man goes slowly towards the camera carrying a big red flag, referring to the student revolts of 1968. The camera follows the protagonist ..

Animations of abstract shapes on « carton coupé » using the technique of stop-motion.

A young woman dedicates to a solitary pleasure surrounded by precious cushions. Larvae of flies appear in superimposition moving briskly and multiplying until they conquer the entire frame. Numerous signs, scratches and holes deliberately made on the film follow. On this images a tricolor ribbon is again superimposed, which start to burn together with the worms. "Common people’ succumbs to the massacres of the state and to the terrorist attacks that infect Italy.

A film centered on the graphic and pictorial works of the artist Paolo Sardina, whose images have been painted and scratched directly onto the film.

Experimental short filmed between 1987 and 2002.

The camera focuses on the face of a model whose body is being rubbed by a vibrating tool shaped like a spider.

Outtakes from a lost film made by the director in 1968.

Animations of abstract shapes on « carton coupé » using the technique of stop-motion.

Animations of abstract shapes on « carton coupé » using the technique of stop-motion.

Experimental short.

The film is set in an industrial landfill in the Petrochemical area of Porto Marghera (Venice). Here, among the toxic residues, a happening takes place: a boy and a girl without knowing each other before are invited to undress and kiss in front of ‘fake’ journalists, photographers and operators. The soundtrack is composed by different environmental noises. The director denounces in this way the pollution and the landscape changing, focusing on the vision of two beautiful bodies kissing.

Some scenes in black and white show Venice, Piazza San Marco, people who walk, feed pigeons and paint. The film records the gestures of boys hugging each other, touching each other; then childhood and provocative scenes alternate. Venice is dying.

The film is dedicated to Vittorio and Silvio Loffredo who, in the second half of the 1930s in Paris, using film excerpts found at flea markets, created a memorable collage film

Images of everyday life: a walk, the village fair with the carousel and children playing alternate with scenes in which the young couple kisses passionately in a little church, spied by the indiscreet eye of the camera.