La Bandiera

The film took place at Villa Pisani (Stra-Venezia), near Venice’s lagoon in Porto Marghera (VE) and in a car cemetery. A beautiful girl covered with a semi-transparent gauze and with a gas mask.

I dreamt of finding myself naked sitting in a café. On the table was a cactus. I was watching it. The cactus also looked at me - and the more it looked at me, the more it was blushing.

A young woman dedicates to a solitary pleasure surrounded by precious cushions. Larvae of flies appear in superimposition moving briskly and multiplying until they conquer the entire frame. Numerous signs, scratches and holes deliberately made on the film follow. On this images a tricolor ribbon is again superimposed, which start to burn together with the worms. "Common people’ succumbs to the massacres of the state and to the terrorist attacks that infect Italy.

Animations of abstract shapes on « carton coupé » using the technique of stop-motion.

A film centered on the graphic and pictorial works of the artist Paolo Sardina, whose images have been painted and scratched directly onto the film.

Animations of abstract shapes on « carton coupé » using the technique of stop-motion.

Animations of abstract shapes on « carton coupé » using the technique of stop-motion.

A re-edit of outtakes from the 1973 film "Ritratto Dell'Artista (Da Narcisso).

Outtakes from a lost film made by the director in 1968.

Some scenes in black and white show Venice, Piazza San Marco, people who walk, feed pigeons and paint. The film records the gestures of boys hugging each other, touching each other; then childhood and provocative scenes alternate. Venice is dying.

The camera focuses on the face of a model whose body is being rubbed by a vibrating tool shaped like a spider.

A reference to the anarchist Giuseppe Pinelli, who died mysteriously on December 15, 1969, while held at the Milan Police Headquarters for an investigation following a bomb explosion.

Experimental short filmed between 1987 and 2002.

Experimental short.

The film is dedicated to Vittorio and Silvio Loffredo who, in the second half of the 1930s in Paris, using film excerpts found at flea markets, created a memorable collage film

The film is set in an industrial landfill in the Petrochemical area of Porto Marghera (Venice). Here, among the toxic residues, a happening takes place: a boy and a girl without knowing each other before are invited to undress and kiss in front of ‘fake’ journalists, photographers and operators. The soundtrack is composed by different environmental noises. The director denounces in this way the pollution and the landscape changing, focusing on the vision of two beautiful bodies kissing.