Girl at the Window

A Feature Length Documentary On The Making Of The Film Featuring Exclusive Interviews With Peter Weir, Hal & Jim Mcelroy, Patricia Lovell and much more

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

Brought to life through archival material and the reflections of over 40 colleagues, friends and fans, BLOOD & FLESH is much more than the story of a moviemaking life most unusual. It beautifully captures the worlds of outsider filmmaker communities that existed in California in the ’70s, and the weird ways they intersected with Hollywood mainstream and union indies. On Adamson shoots, regular Orson Welles crew and cinematographers like Gary Graver, Vilmos Szigmond and Lazlo Kovaks worked alongside Bud Cardos — and at one point, Charles Manson! Director David Gregory (founder of Severin Films, director of LOST SOUL: THE DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR. MOREAU) spent years making this film, speaking to everyone down to the cops who investigated Adamson’s murder, vividly encapsulating both a bold life and tragic demise, with alien conspiracies, go-go dancers and Colonel Sanders coming in along the way. If you’ve got even a passing interest in cinema, you want to see this

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

Patrick lays comatose in a small private hospital, his only action being his involuntary spitting. When a pretty young nurse, just separated from her husband, begins work at the hospital, she senses that Patrick is communicating with her, and he seems to be using his psychic powers to manipulate events in her life.

Three vampires wander the streets of Melbourne killing, screwing and taking drugs. They decide to carry out a heist, stealing three million and attracting the attention of various psychotics, who chase them through a blood spattered odyssey into the Melbourne underground.

Gold! Gold!! Gold!!! is the fifth and final TISM VHS, featuring interviews, live performances, music videos and TV appearances.

A Video essay where Andrew Mercado discusses Ozploitation rarities. The Australian films discussed are: Final Cut [or Death Games] (1980), Road Games(1981), Alvin Rides Again (1974), Lady Stay Dead (1981), Night Of Fear (1973), Inn Of The Damned (1975), Crosstalk (1982).

A look behind the scenes of Razorback (1984).

SWEAT IT OUT! charts the rise and fall of the iconic Australian music scene, affectionately dubbed ‘Oz Rock’. It’s the story of ambition, power and passion. Of the bands that succeeded, and those that didn’t. It’s a tale of oversized, colourful characters who risked it all – and the legion of fans who joined them on their journey, sweating it out in the tiny inner urban pubs, massive outer suburban beer barns and jampacked provincial hotels. It’s the story of a country forging its identity through music and an ethos of bands that toured longer, drove further and played harder to be heard. When bands would play live seven nights a week, sometimes playing three gigs in one day – sometimes even playing three gigs, in three different states, in the one day!