El mejor de nosotros

In the 60s and thanks to the epistolary exchange, the young filmmaker Manuel Antín and the famous writer Julio Cortázar devised four films. An ocean away, a fruitful collaboration and genuine friendship are born.

A tale of children's horror for adults. A story that intermingles fantasy and reality. The eyes of a child who perceive what adults are not able to see.

Oliveiro is a young poet living in Buenos Aires where sometimes he has to sell his ideas to an advertising agency to make a living or exchange his poems for a steak. In Montevideo, he meets a prostitute, Ana, with whom he falls in love. Back in Buenos Aires, he accepts a contract with a publicity agency to get the money for three days of love with her. Will he get what he's searching for when his ideal of love's pleasure is literally going in levitation while making love?

After 5 years, a man returns to his hometown with the intention of taking revenge on those who drove him out and running a recovering shipyard.

A mockumentary about three young student filmmakers as they make a movie about an alleged film director living obscurely in a Buenos Aires mental hospital. In their visits to the mental hospital, the three students will forge a very special relationship with the self-styled former film director as they follow different clues and strategies to discover his 'true' identity.

It tells the story of a people who stood on the side of the freedom, civilization and progress, but also some who are on the side of unbridled capitalism and race. However, they is still a possibilities of utopia and solidarity.

Leo, a young man coming to terms with his own sexuality, runs into Caro, a primary school friend he fancied when they were kids, who's now trying to ward off her own personal demons. This casual re-encounter will affect their personal conflicts without either truly grasping the other's problem.

Two Argentine sisters, Memé and Aneta, lose their mother in a car crash. Memé, the elder, is also left lame with one badly scarred leg. The orphaned girls go to Uruguay to stay with their aunts. The sisters often bicker, but they are actually very close. Memé flirts but has no luck with boys because of her injury... On their own now, Memé works as a waitress where she gets to know Andy. Returning to Montevideo, they meet Dolores, a friend of their late mother. Memé's affair with a man complicates her relationship with her sister. Then Andy invites the pair to his seaside retreat, a lighthouse.

An aging rancher with no children marries a teenager, the daughter of a deceased farmhand.

Basilio is a great guy, a poor devil with a huge heart who nobody really notices. Dominated by his wife, humiliated by his colleagues, despised by the man who walks his dog. Basilio decides to give it all up, but in the middle of his suicide attempt he meets three peculiar characters, a noise pollution officer, a young 12-year old girl and a creative and endearing woman who keeps losing her phone. With these three in tow, he wanders through the city, while the noise around him is growing.

A cartoonist and painter who can not stand out and make a living, among other things, as a photographer of news magazines and a beautiful young woman who comes to Buenos Aires from inside the country to try to make it as a model and actress, living a love as passionate as fraught with disagreements.

The Argentine dictatorship kidnapped people who where thought to be part of communist guerrillas. This one in particular is the story of Telmo, a homosexual tailor living in a small town with his mother, whose house is suddenly invaded by one of these supposed guerrilla fighters, which he names Olaf to disguise his real identity. Turns out Telmo helps this guy hide from the military but it all gets complicated because he's currently working on the wedding dress of the daughter of the general who is chasing Olaf.

A warm memory of Tucuman childhoods called Tapalín: a clown who shouted "Long live the Homeland!" thirty years ago on TV. Now he lives without frills. It narrates the relationship between Tapalín, the singer Carlos Geomar and César Quiroga who live in the same body.

In a downtown building, old and beautiful, of the turbulent Buenos Aires, stories of men and women who keep secrets behind solid walls are intertwined. For Lucy, it is the secret price for freedom; for the Ukrainian immigrant and the Tucuman teenager, it is a refuge; for Lorenzo, it is debauchery; for Gaby and Mariano, disagreement; for Mónica and Sergio, the promise of new life. The stories are intertwined. No one is the same after opening the door to their most intimate desire