These Are Mine Empire

For more than thirty years, and through his television program, Fred Rogers (1928-2003), host, producer, writer and pianist, accompanied by his puppets and his many friends, spoke directly to young children about some of life's most important issues.

BAD BLOOD chronicles how a "miracle" treatment for hemophilia became an agent of death for 10,000 Americans.

In 1979 Santa Barbara, California, Dorothea Fields is a determined single mother in her mid-50s who is raising her adolescent son, Jamie, at a moment brimming with cultural change and rebellion. Dorothea enlists the help of two younger women – Abbie, a free-spirited punk artist living as a boarder in the Fields' home and Julie, a savvy and provocative teenage neighbour – to help with Jamie's upbringing.

Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.

In this true crime docuseries, some of the most dramatic trials of all time are examined with an emphasis on how the media may have impacted verdicts.

The Triangle Fire chronicles the 1911 fire at the Triangle Shirtwaist Factory in New York City killing one hundred and forty-eight young women and forever changed the relationship between labor and industry in the United States.

This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband's assistant, Noriko finds an identity of her own.

No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.

Comprised entirely of archival footage taken during those pre-reality-television years, The Reagan Show looks at how Ronald Reagan redefined the look and feel of what it means to be the POTUS.

An archival documentary about the U.S. military’s response to the political and racial injustices of the late 1960s: take a military base, build a mock inner-city set, cast soldiers to play rioters, burn the place down, and film it all.

This American Experience tells Whitman's life story, from his working-class childhood in Long Island, to his years as a newspaper reporter in Brooklyn when he struggled to support his impoverished family, then to his reckless pursuit of the attention and affection he craved for his work, to his death in 1892.

Two rival juice companies, Eco-Elixir and Jock Juice, accidentally unleash an experimental formula of energy drink on an unsuspecting group of concert- goers. This formula turns whoever is unfortunate enough to drink it into flesh-eating crazies!

An all-archival excavation of the links between gun culture, the National Rifle Association, and the U.S. Border Patrol across five decades.

In 1989, with the world on the brink of a massive upheaval, a group of Soviet sailors built their own boat and entered a perilous around-the-world race. Told through their own words and layers of haunting archival footage, we follow as they navigate wild seas, political turmoil, and personal tragedy.

Hybrid documentary film

“How do you make sense on an emotional, intellectual, and pragmatic level of the visual residue one leaves behind?” This is a pivotal question for Adam Pendleton’s recent abstract paintings on view here, which involve a process of accumulation in which the surface of the canvas teems with sweeping gestures, language, drips, splatters, and moments of erasure in a reflection of how we evolve in life. Pendleton has explained that these works “verge on the monumental; they can take months to make and capture a deep history of marks and impressions. Minor moments become major moments because of how they articulate who we are or who we might be at any given moment. It’s a visual poetics of disruption.” These paintings, Pendleton has suggested, ask: “how do you leverage, subvert, and deploy your subjectivity? We all are doing it all of the time. It becomes more interesting when we’re aware that we’re doing it.”