Directing

Sierra Pettengill

Sierra Pettengill is a Brooklyn-based filmmaker.

Known For

20th Century Women20th Century Women · 2016
20th Century Women
★ 7.32016
MovieDrama
In 1979 Santa Barbara, California, Dorothea Fields is a determined single mother in her mid-50s who is raising her adolescent son, Jamie, at a moment brimming with cultural change and rebellion. Dorothea enlists the help of two younger women – Abbie, a free-spirited punk artist living as a boarder in the Fields' home and Julie, a savvy and provocative teenage neighbour – to help with Jamie's upbringing.
Riotsville, USARiotsville, USA · 2022
Riotsville, USA
★ 5.62022
MovieDocumentaryHistory
An archival documentary about the U.S. military’s response to the political and racial injustices of the late 1960s: take a military base, build a mock inner-city set, cast soldiers to play rioters, burn the place down, and film it all.
Gimme DangerGimme Danger · 2016
Gimme Danger
★ 6.92016
MovieDocumentaryMusic
No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.
Won't You Be My Neighbor?Won't You Be My Neighbor? · 2018
Won't You Be My Neighbor?
★ 8.02018
MovieDocumentary
For more than thirty years, and through his television program, Fred Rogers (1928-2003), host, producer, writer and pianist, accompanied by his puppets and his many friends, spoke directly to young children about some of life's most important issues.
There's Something in the WaterThere's Something in the Water · 2019
There's Something in the Water
★ 7.32019
MovieDocumentary
Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.
The RiflemanThe Rifleman · 2020
The Rifleman
2020
MovieDocumentary
An all-archival excavation of the links between gun culture, the National Rifle Association, and the U.S. Border Patrol across five decades.
Cutie and the BoxerCutie and the Boxer · 2013
Cutie and the Boxer
★ 6.92013
MovieDocumentary
This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband's assistant, Noriko finds an identity of her own.
Bad Blood: A Cautionary TaleBad Blood: A Cautionary Tale · 2010
Bad Blood: A Cautionary Tale
★ 7.52010
MovieDocumentary
BAD BLOOD chronicles how a "miracle" treatment for hemophilia became an agent of death for 10,000 Americans.

Filmography

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Ruby Nell SalesRuby Nell Sales · 2022
Ruby Nell Sales
2022
MovieDocumentary
“How do you make sense on an emotional, intellectual, and pragmatic level of the visual residue one leaves behind?” This is a pivotal question for Adam Pendleton’s recent abstract paintings on view here, which involve a process of accumulation in which the surface of the canvas teems with sweeping gestures, language, drips, splatters, and moments of erasure in a reflection of how we evolve in life. Pendleton has explained that these works “verge on the monumental; they can take months to make and capture a deep history of marks and impressions. Minor moments become major moments because of how they articulate who we are or who we might be at any given moment. It’s a visual poetics of disruption.” These paintings, Pendleton has suggested, ask: “how do you leverage, subvert, and deploy your subjectivity? We all are doing it all of the time. It becomes more interesting when we’re aware that we’re doing it.”

Archival Footage Research