No Pain, No Gain

"There's Always a Way to the Right" is the name of a sensational television program with a large audience. The host portrays the lives of unfortunate people, trying to convince them that their fortunes can change whenever they set their minds to it.

Follows police officer Francisco "Paco" Miranda and his men through funny cases.

While they prepare for the Three Wise Men's Cavalcade, Melchior, Gaspar and Balthazar open the doors to their palace for the first time for the filming of a documentary about their daily lives.

Cash-strapped vet Antón takes a job at a fancy pet store, going from treating rural farm animals to peddling premium treats for pampered pooches.

Javier is going through a bad patch: he can hardly make it to the end of the month, his business of T-shirts with de-motivational slogans is not quite getting the attention, and his relationship with Lola is shacking. The least thing he needed was for an alien to fall on him and transfer his powers to him before dying.

Portrait of Alfredo Landa, Spanish cinema's most popular actor. From landismo to his greatest roles, featuring public affection, prestigious awards, unreleased material, and intimate testimonies about the person behind the performer

North Sudan, summer 1923. King Alfonso XIII of Spain captures an enormous African elephant, an apparently irrelevant act that, however, will be paramount to understand the Spain of 20th century; an animal from far lands that will become a symbol of the Second Spanish Republic, the communist movement and many other things; a royal hunting that marks the beginning of a bizarre story of jealousy, passion, political intrigues and taxidermy.

Juan Carrasco is a nondescript Minister of Agriculture who must recognize that he has greater political ambitions due to a series of fortuitous political events, so he decides to run in the primary elections of his party, which may give him the opportunity to opt for the disputed position of President of the Spanish Government.

Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?

Santiago, a gray man who works as a supporting actor, changes his attitude towards life when, for a few days, he takes his young son Guillermo into his home.

It tells the story of Manuela and José. Even though they are delighted with taking care of their grandchildren, they are a bit fed up with no longer having time to dedicate to themselves.

Bosco is the son of a minister arrested for corruption, misappropriation of public funds, money laundering and a lot more of economic crimes. Selfie is about the story of him since he's kicked out of his luxurious chalet until he tries to get a job at the headquarters of a left-wing political party.

Spain, 1958. Miguel and Antonio, single and in their thirties, go on a trip to Ibiza, attracted by the European sexual myth and the illusion of freedom. But on the island nothing will be as they expected.

When middle-class parents Alicia and Gonzalo get their son Fer into an elite secular school, their quest to secure his future quickly exposes their own deep desire for upper-class status, wealth, and social prestige.

Daniel, a Spanish filmmaker would like to give his country back some of the hope it has lost due to the financial crisis. He's determined to shoot an inspirational movie about the Moncloa Pact, the agreement that brought back Democracy to Spain after the Franco era. The thing is he wants the film to be a musical.