The End of St. Petersburg

About the non-stop flight of three Soviet pilots around the globe on the stratoplane "Pobeda-1".

A biographical film about the fate of the great Russian mechanic and creator of aerodynamics Nikolai Egorovich Zhukovsky.

The film consists of short stories about participants of the Great Patriotic War, who returned from the front and entered a peaceful life. The heroes of the tape are fellow soldiers: Major Kornev, formerly a domain engineer; petty officer Samoseev, in the future chairman of the collective farm; senior lieutenant Rudnikov expects an Arctic expedition, and lieutenant Bela Mukhtarova will go with a party of geologists to the East.

This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

A Soviet woman is caught between her husband and son, who find themselves on opposing sides of the Russian Revolution.

Lowly Mongolian trapper Bair, shunned by his fellow trappers for fighting with a trader, flees his trading post and joins the Soviet partisans trying to oust the occupying British forces. After Bair is captured and shot by the British, they find an amulet on him suggesting he is a descendant of Genghis Khan. The soldiers nurse Bair back to health and use him to establish a puppet government, unaware that their plan will backfire when the puppet breaks his strings.

War-time satire about the inhumanity of the nazis. Based on Samuil Marshak's play which was extremely popular among soldiers at the front.

With an international chess tournament in progress, a young man becomes completely obsessed with the game. His fiancée has no interest in it, and becomes frustrated and depressed by his neglect of her, but wherever she goes she finds that she cannot escape chess. On the brink of giving up, she meets the world champion, Capablanca himself, with interesting results.

Historical film about the invasion of the Poles in the Moscow Empire (1611), the creation of Minin and Pozharsky people's militia. The beginning of the XVII century. Already the sixth year the Muscovite land under the yoke of intervention. In the fall of 1610 Polish pans in deceitfully seized the Kremlin and tried to break through to the north. Everywhere rebellions broke out, but well-armed interventionists smashed the scattered peasant detachments. The liberation movement was led by Nizhny Novgorod merchant Kuzma and Prince Dmitry Pozharsky.

In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.

An ignorant and prejudiced American’s visit of Soviet Russia goes off the rails after his luggage is stolen and he is separated from his bodyguard.

Primarily a biographical documentary about the military career of Alexander Vasilvich Suvorov, who was Field Marshal of the armies of Catherine the Great and Czar Paul I. After many military successes during the reign of Catherine, General Suvorov broke with her successor, Paul I, the Mad Emperor, over questions regarding army policy. He went into retirement and wrote "The Science of Victory," containing maxims such as "Swiftness of movement accompanies victory," and "the real general is he who defeats the enemy before reaching him." The czar recalled Suvorov to become the leader of the joint armies of Russia and Austria against Napoleon.

Brecht's play Fear and Misery of the Third Reich consists of a series of playlets, portraying National Socialist Germany of the 1930s as a land of poverty, violence, fear and pretence. Nazi antisemitism is depicted in several of the sketches, including "the Physicist", "Judicial Process", and "the Jewish Wife".

The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional Victor Karenin, a rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he first falls in with Gypsies, and into a sexual relationship with a Gypsy singer, Masha.

Following the end of the Russian Civil War, three close friends and former Red Army commanders—Langovoy, Zhyoltikov, and their elder comrade Uncle Sasha—return to their hometown to serve in the military headquarters. While Sasha and Zhyoltikov remain bachelors and share a room, Langovoy lives with his wife, Mashenka, whom he married during the war.