Being Farmanara

Bahman Kiarostami's charming documentary about mourners-for-hire who are called upon to attend funerals in Iran. With an understated, lighthearted style, Tabaki provides a fascinating view of a peculiar occupation within this religious culture, offering, in the process, an insightful portrait of the society as a whole.

After Saddam Hussein's removal from power, Iranians rushed to cross the unguarded border with Iraq to visit the shrines of Shi'ism in Karbala and Najaf.

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

Filmed in a women's restroom in a park in Tehran, this film offers insights into the lives of women in Iran. The ladies' room enables the women to unveil themselves, both physically and psychologically. In a series of frank and intimate conversations, these women debate everything from drugs and family abuse, to sex, relationships and religion.

In Tuscany to promote his latest book, a middle-aged English writer meets a French woman who leads him to the village of Lucignano.

Documentary about Babak Bayat (Persian: بابک بیات)(13 June 1946 – 26 November 2006). Babak Bayat was an Iranian songwriter and film score composer. He was repeatedly nominated for the Crystal Simorgh award in the field of the soundtrack at the Fajr Film Festival and received this award twice in 1991 and 1997.

An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty four hours bears no relation to the circumstances of their encounter.

Documentary about the 2002 murder of Iranian football star Nasser Mohammad Khani's wife, the subsequent confession to the crime by his mistress Shahla and her fight to escape the death sentence. (Storyville)

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

One shot, taken using a time-lapse technique, of a sunrise in an Iranian mountain landscape. A thin band of light shines across a starry sky, the sun comes up, the dawn light glows.

A documentary dealing with the life of Ahmadreza Ahmadi, an Iranian Poet.

Persian Carpet is an omnibus film produced by Iran's National Carpet Center and Farabi Cinema Foundation where 15 renowned Iranian directors contributed films on the subject of Persian carpet. Carpets are the reflection of the cultural and historical identity of Iran.

Part 3 of documentary trilogy about Persian poet Forough Farrokhzad. This part focuses on her theatre and film work.

The documentary "Iran in Announcements", a research documentary about announcements in Iran, is from the early years of the announcement of Iran to the arrival of the Islamic Revolution.

Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.

Since Iran opened its borders to refugees of the Soviet–Afghan War in 1979, it has become home to as many as 2.5 million Afghans, half of whom are undocumented. When renewed US sanctions in 2018 caused a currency collapse in Iran, the vulnerable population of migrants—often working as low-paid labourers in harsh conditions—was severely affected by the recession. Now, large numbers of them want to return home. Bahman Kiarostami (the son of late acclaimed director Abbas Kiarostami) sets up his camera in a Tehran-based facility processing thousands of illegals leaving the country. The migrants are asked surprising personal questions about everything from religion to drugs to family issues. With a Wiseman-esque fly-on-the-wall observation of these surprising interrogation sessions, Kiarostami paints a kaleidoscopic, empathetic and often humorous picture of the Afghans' place in Iranian society and their reasons for leaving it.