Bahman Kiarostami

In Tuscany to promote his latest book, a middle-aged English writer meets a French woman who leads him to the village of Lucignano.

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty four hours bears no relation to the circumstances of their encounter.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

An archival documentary exploring the life and work of Iranian photographer Iraj Ganjei through a rediscovered collection of photographs, letters, and other personal documents. As the filmmakers trace the origins of an unidentified photographic archive, they gradually uncover the world of a largely forgotten photographer and his connections to the artistic milieu of 1960s Iran.

Since Iran opened its borders to refugees of the Soviet–Afghan War in 1979, it has become home to as many as 2.5 million Afghans, half of whom are undocumented. When renewed US sanctions in 2018 caused a currency collapse in Iran, the vulnerable population of migrants—often working as low-paid labourers in harsh conditions—was severely affected by the recession. Now, large numbers of them want to return home. Bahman Kiarostami (the son of late acclaimed director Abbas Kiarostami) sets up his camera in a Tehran-based facility processing thousands of illegals leaving the country. The migrants are asked surprising personal questions about everything from religion to drugs to family issues. With a Wiseman-esque fly-on-the-wall observation of these surprising interrogation sessions, Kiarostami paints a kaleidoscopic, empathetic and often humorous picture of the Afghans' place in Iranian society and their reasons for leaving it.

Part 3 of documentary trilogy about Persian poet Forough Farrokhzad. This part focuses on her theatre and film work.

Behjat Sadr is one of the pioneers and masters of modern art in Iran. This film is a journey into the life and works of a poetic and brilliant painter. Ms. Sadr guides us through her intense, find compelling canvases, order musing on her process, pharmacy her influences, and her complicated relationship with fame and mortality. Her highly abstract mind wanders into dark, mysterious beautiful spaces, and the camera follows her, providing visual access and correlatives to her imagination.

Persian Carpet is an omnibus film produced by Iran's National Carpet Center and Farabi Cinema Foundation where 15 renowned Iranian directors contributed films on the subject of Persian carpet. Carpets are the reflection of the cultural and historical identity of Iran.

The documentary "Iran in Announcements", a research documentary about announcements in Iran, is from the early years of the announcement of Iran to the arrival of the Islamic Revolution.

Fanizadeh documentary is about the famous actor of Iranian cinema Parviz Fanizadeh. This documentary film deals with his life and works. This documentary is based on the talks of characters from theater and cinema who worked directly with him. Among them there are Taghvai, Mehrjoui, Golestan, Kimiaiee, Nosrat Karimi, Behrouz vosoughi, Pari Saberi, etc.

A conversation with a number of prominent Iranian painters who decided to stay in Tehran during the missile attacks.

Documentary about the 2002 murder of Iranian football star Nasser Mohammad Khani's wife, the subsequent confession to the crime by his mistress Shahla and her fight to escape the death sentence. (Storyville)

Infidels (Koffar) is a film about the Godars—artist-Gypsies living in Northern Iran. The film recounts the four ways which the Godars make their living: dancing, acting, hunting and music, and showcases their dedication to preserve their art and age-old rituals. In this film the Godars sing songs, play music, and tell the ancient tales of their heritage which often deal with their problems with God.

One shot, taken using a time-lapse technique, of a sunrise in an Iranian mountain landscape. A thin band of light shines across a starry sky, the sun comes up, the dawn light glows.

Twenty years after The Traveler was made, Kiarostami's son filmed his father as he reunited with the film's child star, now in his 30s.

Bahman Kiarostami's charming documentary about mourners-for-hire who are called upon to attend funerals in Iran. With an understated, lighthearted style, Tabaki provides a fascinating view of a peculiar occupation within this religious culture, offering, in the process, an insightful portrait of the society as a whole.

Filmed in a women's restroom in a park in Tehran, this film offers insights into the lives of women in Iran. The ladies' room enables the women to unveil themselves, both physically and psychologically. In a series of frank and intimate conversations, these women debate everything from drugs and family abuse, to sex, relationships and religion.

This documentary looks at different aspects of the life of Bahman Farmanara, the well known Iranian film director and producer.

Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.

A documentary dealing with the life of Ahmadreza Ahmadi, an Iranian Poet.

Documentary about Babak Bayat (Persian: بابک بیات)(13 June 1946 – 26 November 2006). Babak Bayat was an Iranian songwriter and film score composer. He was repeatedly nominated for the Crystal Simorgh award in the field of the soundtrack at the Fajr Film Festival and received this award twice in 1991 and 1997.

This documentary looks at the life and work of Iranian artist Monir Shahroudy Farmanfarmaian, who first garnered attention in the 1970s when she pioneered contemporary forms of geometric mirror works. Monir created an artistic language that was informed by traditional Iranian craft and architecture; formative years spent in New York in the 1940s and 50s and ongoing conversations with some of the 20th century's most experimental artists were also part of Monir's artistic universe. The film takes an intimate look at the artist's life and her practice, and explores how she has become one of the most innovative and influential artists working in the Middle East today. From her method of constructing mirror mosaics, to uncovering her past following the political changes in her own country and her subsequent migration to New York, and an artistic renewal sparked by her return to Tehran after an absence of 25 years, it offers an inspiring chronicle of Monir at the peak of her career.

"Lowland" is the result of 5 years, daily communication with those who lived on the outskirts of Tehran, Saeed's dumpsite, and collected recyclable garbages of Tehran.