Qulliq (Oil Lamp)

Anna is nervous when she and her son, Tomas, arrive in the small, close-knit community of Igloolik, in the Canadian Arctic.

Two isolated families meet for a summertime celebration. Food is abundant and the future seems bright, but Ningiuq, a wise old woman, sees her world as fragile and moves through it with a pervasive sense of dread. Ningiuq and her grandson Maniq are dropped off on a remote island, where, every year, the family dries the catch and stores it for winter. The task is soon finished. As summer turns to fall, they wait in vain for the others to pick them up.

Angelique's Isle is the true story of a harrowing tale of perseverance and survival that unfolds during the great copper rush of 1845, when newlyweds ANGELIQUE, a young Ojibway and CHARLIE, her voyageur husband, are left stranded and forced to survive a brutal and harsh winter on their own in the wilderness.

Surprised at the loss of her innocence, the young Inuk Elsa draws courage and strength from her rugged land to become a woman as independent as the restless river that cuts across it. She becomes the very young mother of a child whose surprising destiny breaks with the millennial traditions of her ancestors. Navigating the social norms of the colonizers and the reality of her own family situation, the dreariness of a relationship that is not right for her, and the rebellion of her teenage son, Elsa’s path follows the winding course of the indomitable river that accompanies her every turn in life.

Tia, a 10 year-old Syrian refugee living in Montreal, finds a magic portal and travels to the Arctic where she befriends an Inuk girl with who she immerses herself in a world of Inuit myth and magic.

Rooted in tradition, adoption is a reality that all Inuit families have experienced. In Inuit culture, adopting a child from a relative, friend or acquaintance is a common practice. Marie-Hélène Cousineau, the adoptive mother of Alexandre Apak, lived in Igloolik, a small island southwest of Baffin Island in the Arctic, for many years. This documentary, which she directed in collaboration with Mary Kunuk (an old friend and colleague), explores Inuit family relations through the personal histories of women who have experienced adoption in one way or another. In a parallel thread, the film documents the creation of an intricate felt wall-hanging that depicts key moments from their lives. All skilled seamstresses, these women of Igloolik use fabric to draw, cut, and embroider their personal life stories – an intimate portrait of family ties and a vibrant illustration of the role adoption has always played in Inuit culture