Tia and Piujuq

1961. In Kapuivik, an Inuit man named Noah Piugattuk and his compatriots are visited by a white man who says they have to move to a reservation.

Ethan Hunt and team continue their search for the terrifying AI known as the Entity — which has infiltrated intelligence networks all over the globe — with the world's governments and a mysterious ghost from Hunt's past on their trail. Joined by new allies and armed with the means to shut the Entity down for good, Hunt is in a race against time to prevent the world as we know it from changing forever.

A young shaman must face her first test: a trip underground to visit Kannaaluk, The One Below, who holds the answers to why a community member has become ill.

Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.

Maïna is the daughter of the Innu leader Mishtenapuu, who attends a bloody confrontation between his clan and the clan of "Men of the Land of Ice." Following this confrontation, Maïna chooses a mission that will change her life. To fulfill the promise that she has made to her friend Matsii on her deathbed, she embarked on the trail of their enemies to deliver Nipki, a 11 year old boy that the Inuit have captured. But she was also taken as prisoner by Natak, the leader of the Inuit group, and forcibly taken to the Land of Ice.

Fiona is the manager of a fast-food restaurant. She lives comfortably with her family in the suburbs. In other words, Fiona is happy... until one day she accidentally gets locked into a walk-in fridge. She escapes the next morning, half frozen and barely alive, only to realize that her husband and two children didn't even notice she was missing. But when Fiona develops an obsession for everything cold and icy: snow, polar bears, fridges, icebergs--she drops everything, climbs into a frozen goods delivery truck and leaves home. For a real iceberg.

Surprised at the loss of her innocence, the young Inuk Elsa draws courage and strength from her rugged land to become a woman as independent as the restless river that cuts across it. She becomes the very young mother of a child whose surprising destiny breaks with the millennial traditions of her ancestors. Navigating the social norms of the colonizers and the reality of her own family situation, the dreariness of a relationship that is not right for her, and the rebellion of her teenage son, Elsa’s path follows the winding course of the indomitable river that accompanies her every turn in life.

Based on the journal of Knud Rasmussen's "Great Sled Journey" of 1922 across arctic Canada. The film is shot from the perspective of the Inuit, showing their traditional beliefs and lifestyle. It tells the story of the last great Inuit shaman and his beautiful and headstrong daughter; the shaman must decide whether to accept the Christian religion that is converting the Inuit across Greenland.

After experiencing a traumatic event in Igloolik (an Inuit hamlet in Foxe Basin, Qikiqtaaluk Region in Nunavut), Uyarak leaves her community and family in Nunavut to live in Montréal. When Covid-19 lockdowns close off the Canadian Arctic from the rest of the world, Uyarak is further separated from her closest friend, eldest sister, Saqpinak. This extreme situation blurs the lines of both the fictional lives of the sisters, and the non-fiction lives of the film’s directors, Lucy Tulugarjuk and Carol Kunnuk, who play the sisters.