¡Vivan las Antipodas!

“Like the right and left hand Your soul is close to my soul We are sealed shut, blissfully and warmly, Like the right and left wing…” The life and art of Pavel Kogan and Lyudmila Stanukinas, two famous Leningrad documentary filmmakers, can best be expressed by the Tsvetaeva stanza cited above. They are the main characters of this film, which their student Viktor Kossakovsky shot during Pavel Kogan’s final months. For Lyudmila Stanukinas, Lyalya, as those close to her called her, her husband was her only reason for existence. She was with him until the end and held onto his extinguishing life as much as she could.

Trilogy about love, experienced at different moments in life, by different people: an old couple, a young couple and two children at infant school.

Victor Kossakovsky searched obsessively for inhabitants of St. Petersburg who were born on Wednesday 19 July 1961, his own birthday, in former Leningrad. Fifty-one women and fifty men fitted the profile. In the course of time a few of these 101 people had died, others had moved to another community or abroad. But in 1995 Kossakovsky managed to capture on film all seventy remaining residents, in the street, at work or simply at home. While doing so he spent time with doctors and patients, entertainers and businessmen, construction workers and homeless people. In his unorthodox style Kossakovsky has produced a beautiful profile of people in their thirties in St. Petersburg.

A glimpse into the raw and simple power of nature through encounters with farm animals: the eponymous Gunda, a mother pig; two cows, and a one-legged chicken.

A woman walks over jagged, weather-beaten rocks by the sea. She is barefoot, wearing a simple white dress. The wind blows unchecked, her face hidden beneath the brim of a floppy hat. She walks and walks, resolute. Sometimes she carries a large jute bag. What is happening here?

The director films the street where he lives in St. Petersburg, for a whole year, documenting the changes caused by the celebration of its 300th anniversary.

From massive waves to melting ice, filmmaker Victor Kossakovsky travels around the world to capture stunning images of the beauty and raw power of water.

An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?

A 3-year-old girl and her family's long journey from a Greek refugee centre to Uppsala.

Football seen through the eyes of some of the best directors of the world.

In Russian, "Svyato" means "happy". But it is also a nickname for Svyatoslav, the son of director Kossakovsky, who for two years covered mirrors from Svyato. For the first time in his life, Svyato is going to watch himself on a mirror.

Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time.

As rhythmic machines press zinc sheets into coffins, factory workers reflect on their own mortality. Does daily contact with death heighten their awareness of life’s impermanence?

Seven-year-old Polina and her 13-year-old sister Nastia live and breathe ballet. Both of them are studying at the Boris Eifman Dance Academy in frigid Saint Petersburg. They’re currently awaiting their grades to find out if they’ve done well enough to be promoted to the next year, with Nastia lovingly guiding he little sister through the process. But in the meantime, Nastia also has to deal with the high demands that the academy places on its students. The gorgeously styled shots are sometimes calm, even clinical, and sometimes warm, lively and funny.

Director Victor Kossakovsky dedicated his documentary debut to the Russian philosopher and religious thinker Alexey Fedorovich Losev (1893-1988), who died shortly after the completion of the film.

Remarkable footage of a Barcelona anti-austerity demonstration – and its quelling – shaped into a lyrical tribute to the spirit of protest by Victor Kossakovsky ( ¡Vivan las Antipodas!) and 32 Spanish film students.