69 Minutes of 86 Days

From a Kafkaesque office for social media in Germany and on to Sudan, and to conversations with an Iranian Ayatollah, an Indian film censor and critical journalists in China. The Norwegian Håvard Fossum has travelled the world to understand what censorship is, and how censors work, both in theory and in practice.

Ingrid tries, together with several acquaintances, to compose a song for the wedding of a mutual friend. However, she's more occupied with her mother's death that she may have contributed to.

A glimpse into the raw and simple power of nature through encounters with farm animals: the eponymous Gunda, a mother pig; two cows, and a one-legged chicken.

A woman walks over jagged, weather-beaten rocks by the sea. She is barefoot, wearing a simple white dress. The wind blows unchecked, her face hidden beneath the brim of a floppy hat. She walks and walks, resolute. Sometimes she carries a large jute bag. What is happening here?

Bauta is a short documentary that explores public, monumental buildings in Norway - stone and concrete buildings. By the public they have the desire to be torn down, or are not given particular aesthetic value. But what about when people are out of the buildings and they get to stand for themselves? Bauta provides a new experience of space and architecture.

The troubled artist Gritt is struggling for relevance and belonging in an unwelcoming society, but then she undergoes a radicalization process in the name of art.

A visual journey through Norwegian modernist church architecture. A short documentary film that pays tribute to the Norwegian church and post-war postmodernist architects for its daring reform of the 50-70's innovative church building. Raw concrete and cold clean lines in a functionalist style were in line with society's development, but in stark contrast to what the church had previously represented. The film portrays 25 of these churches from all over the country

A one take steady cam shot takes you threw the abandoned fabrics and streets of the little post industrial town Odda Norway.

Emilie is 18 years old and carries a childhood characterized by sexual abuse, fear and silence. She wants to confront the bad childhood, but encounters a wall of silence.

A man, a dog, a cabin near the sea. Steinar, age 75, has chosen to live a life in communion with nature. He lives in an isolated, frozen universe at the outermost point of Europe, barely one kilometer from the Norwegian-Russian border. In this seemingly inhospitable landscape, Steinar not only finds peace, he feels free. This is where he belongs, it is his home, even if it at times it can be both lonely and overwhelming.