Yolanda Ríos

The SS puts a slutty nightclub singer in charge of a train car full of prostitutes whose "services" are reserved solely for Adolf Hitler.

In the medieval Castile, Don Tello de Buinesa, the boastful feudal lord, lives with his three sons and their beautiful wives.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

An innocent girl arrives as a domestic in a house where people are fueled by mutual hatred.

In this anthology film, a female actor cheats on her formerly famous husband, a married couple go to extremes, and an antiquarian falls for a young man.

After experiencing a series of traumatic, seemingly unrelated, accidents, Eva begins to notice that her daughter Luna is behaving in increasingly strange ways.