Pierna creciente, falda menguante

Sara, una estrella

Voz

Esposa de día, amante de noche

A married couple are temped by passions around them.

UTS Cero

Continuum 1

Parchís entra en acción

A new adventure of Parchís.

Volveré a nacer

Mónica, the manager and wife of singer Álex, plans a publicity stunt that goes awry. When her husband shoots a rival singer with a gun supposedly filled with blanks, the singer is killed with live ammo. Álex and Mónica then goes into hiding while trying to find out who set them up.

La monja alférez

Set in 1592 and based on a true story, a Spanish nun flees the convent and lives an adventurous life disguised as a man.

La segunda guerra de los niños

Vida/Perra

Vida/Perra is the first feature-length film of Aguirre's "Anticine" and the first monologue in movie history. Aguirre's wife, Esperanza Roy, is the actress of this piece of visual art made as an adaptation of Ángel Vázquez's novel, whose texts are read by Esperanza "as they are." This means, the text have been extracted from the novel without changing their words.

El mejor regalo

The day of his wedding, Carlos recibes the most unexpected present he coud receive, a son. Carlitos, makes the weadding a complete disaster and fails to place. Carlos to solve the misunderstanding, decides to follow the boy home to meet his mother and to find out what is going on. This will bring him more than one surprise.

Ni te cases ni te embarques

Acto de posesión

Raquel's not able to have children, so she and her boyfriend manipulate another young woman into bearing his child.

Cariñosamente infiel

The film chronicles the life and marital problems of a couple, through the vision of his two sons, four and eight years old and how, despite their young age, they understand the marital problems.

De profesión, sus labores

While Ana and Juan are a happy couple, and satisfied with their eight years of married life, María José and Federico, their best friends, have not achieved the desired balance in their marriage. Ana and Juan's happiness makes their friends nervous. María José and Clara, Ana's "good" friends, will try by all means to make Ana believe that her husband is capable of cheating on her if the opportunity arises.

El Rastro

In the sixties, just before starting his career as a feature film director and his parallel career of the Anticine, Javier Aguirre had a brief career as a documentary filmmaker, which served him to test and rehearse many procedures that he would put into practice in the avant-garde aspect of his work. The trail belongs to that period, a few years full of mystery, but whose works are emerging demonstrating the portentous gaze of Aguirre. The trace has hardly been seen in the last sixty years, and it is an opportunity to recover this vision between anthropology and the vanguard of one of the hallmarks of this city. The film has been restored by the ECAM Archive in collaboration with Filmoteca Española.