Johnny Johnston

College students attempt to solve a series of murders on campus while also trying to put together the school's big show.

Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.

The first of a series of six two-reel "Musical Parade" shorts produced in Technicolor for the Paramount 1943-44 production season. The series would continue into 1948, and then were reissued in the early 50's. Songs included "All the Way" and "At the Mardi Gras."

A frustrated big-band promoter runs in to rock-and-rollers Bill Haley and the Comets at a small-town dance. He quickly becomes their manager and, with the help of Alan Freed, hopes to bring the new sound to the entire country. But will a conniving booking agent, with a personal ax to grind with the manager, conspire to keep the band from making the big time?

This fact-based prison drama tells the tale of a band of prisoners living in the innovative 2,600-acre prison at Chino, California. The place takes a humanistic approach to reform and there are no armed guards, no lockups and no uniforms. The underlying philosophy is that if these things are not there, the prisoners will not want to escape, and will instead accept their punishment. A new inmate arrives and soon accustoms himself to the new idea. The story includes the Oscar nominated song Unchained Melody.

An ex-GI falls for a bathing beauty.

James Craig is torn between his criminal career as the masked bandit named the "El Paso Kid," and the life of a law-abiding citizen with his long-suffering wife Zoe. He repeatedly tells Zoe, "just one more time," but he is unable to stop which angers her greatly. However, he does have brief moments of heroics such as when he helps the Widow Weeks save her farm.

Band leader Johnny Draper auditions his band, the Dixie Pixies, at the Eagle Aircraft Co., hoping to be hired to play for the workers in the plant. However, personnel manager E. V. Hartley can only offer them regular jobs, and when Johnny inspires the Dixie Pixies to work in the plant, lead singer and dancer Donna D'Arcy leaves the band for a singing job at the Club Martel in downtown Los Angeles.