Celina Murga

By chance, Martin and Laura travel to Villa Gesell at the same time. They are not together anymore but 18 years ago they conceived their son, Pablo, there. Soon, situations as absurd as they are touching will arise from their encounter. Juan Villegas ventures into comedy and is back at Bafici with a nostalgic, intimate film.

Nicolás and Agustina find money in a plaza; While they plan how to spend it, they come across the possibility that the money comes from fraudulent businesses. Between the innocence, the tenderness and the mischief of the adventure, the story summons the spectator to remember his own childhood.

Signs from another planet arrive on Earth, exactly at Villa 21 de Barracas (Buenos Aires). With scrap, garbage and cardboard, a group of the humble neighborhood manufactures weapons and a spaceship to destroy the aliens. The final battle approaches. Will the villa be ready?

Pablo, professor at the University of Buenos Aires, has an affair with Luciana, one of his students. Natalia, another professor at the University of Buenos Aires starts an affair with her student Gonzalo. Two stories, as two sides of the same coin.

Two cousins ​​meet in a German village in the province of Entre Ríos. Roberto lives in Buenos Aires, Sergio in Paraná. Both are around forty years old. They have met there to decide what to do with an old, abandoned warehouse belonging to their families. An unexpected discovery related to the Battle of Pavón and the cousins' encounter with a memorable eighty-year-old woman will reveal something of the country's past, but above all, a possibility for the future.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

Tomás is a teenager whose life, as always happens, changed from one moment to the next. But that present awakens a latent past that must be resolved in order to face the uncertain future.

Student council elections are about to be held at a school in Parana, Argentina and the two main parties are putting the finishing touches to their campaigns. As they present their positions to the student body, all the elements of political grandstanding are present and correct: quibbling over slogans, circular rhetoric, the benefits of an attractive candidate and the inevitable final mudslinging.

Memory, the passage of time, the mythical, what was and will never return, legacy, passion. The voices of this history and a people beyond. Sport in the river. Swimming through the hours, like a mirror that reflects and multiplies the bonds, the memories, the spaces, the time.

Rodrigo lives in Córdoba. He runs and manages his dad's cabins for tourists. Summer is around the corner. One day he meets seventeen year old Juan, who has just arrived into town all the way from Buenos Aires.

One more Saturday in a desolate Buenos Aires hard to recognize. Six young people that try to avoid their solitude by complicating their daily routes, unsuccessfully looking for a glance that changes something or a new sensation that reveals them some sense. A couple used to their common tediousness, a girl who has already decided she wants to be alone, his boyfriend who does not know how to deal with that, a famous actor who does not seem to feel comfortable anywhere and a girl who pretends to get fun without realizing she's always bored.

Maria is a girl in her early teens whose family lives in an upscale gated suburb. Maria's parents are going out of town for a week, and rather than leave her with relatives or hire a babysitter, Maria is put in charge of looking after her little sister Sofia, with housekeeper Esther serving as a nominal adult authority figure, though for the most part she lets Maria and the others do what they please. With only their parents bedroom off-limits, Maria and Sofia have the run of the house, and soon they and their friends Facundo, Quique, Rodrigo and Timmy are spending their days exploring the place. As the kids begin creating their own rules to run counter to the ones their absent parents set down, Esther brings a young relative, Fernando, to play with them, and the privileged kids begin to get a notion of the ways of the outside world.

Federico and his brother Simon live their teenage years to the fullest, until the day Simon dies by falling from a balcony at a party. While his family falls to pieces before his eyes, Federico tries to live a normal life during his final weeks of school. Unable to mourn, he starts to grow closer to Laura, his dead brother’s girlfriend and seems to find comfort in her.

Downtrodden after some missteps in life, Daniel returns home. Work is non-existent, his ex-wife expects financial help he can't give her, and things are looking bleak. Yet as he prepares to become Godfather to his sister's son, who's soon to be baptised, he rediscovers a purpose - for a few days, at least.

An architecture student is obsessed by his girlfriend. When she is invited to go alone to a party sponsored by her company, he becomes paranoid. He arrives at their place unexpectedly and finds a man hidden under their bed. He follows the man trying to find his name and occupation, along a night full of incidents and misunderstandings.

Continuing the series started with Intervened Events (2014), the Buenos Aires Film Museum presents the second feature film made entirely with material from its archives and by fourteen outstanding Argentine filmmakers. These are nine issues of Cine Escuela Argentino, a project created in 1948 by the Argentine Ministry of Education during the first government of Juan Domingo Perón. The latter promoted “the use of the cinematographer as a didactic assistant destined to complete the educational and cultural work, mainly in what concerns exalting the feelings of the nationality, with the heroic example of the heroes, Christian morality and the multiple civil duties, great and small”. Hence, most of the films produced by Cine Escuela Argentino were aimed at scientific dissemination and tourism promotion of the various regions of the country. (Museum of Cinema)

The film is about the stories of Ailí, Morón, Equis, Fer and Toro. They live together in Buenos Aires. It shows the intimacy of every day situations combining like a puzzle fragments of the five characters during five days of the week. Each one go through different situations that ends in an unique scene about the desires and limitations of our lives.

Tensions rise when a doctor (Daniel Veronese) pressures his teenage son to follow in his footsteps.

Greta and Bruno, her husband, struggle with grief after the disappearance of their son. Their friend Sina travels to the coast to help them sell their summer house.

Short movie about communications and our expectations.

Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.

Twenty-something Ana, now living in Buenos Aires, returns to her native city of Paraná. She meets old school mates, old friends, makes new ones, and starts to rethink her life, and perhaps change her future.