Kirsten Rolffes

The young girl Johanne is left by her mother at a solemn convent school. The school is a strange world to her, and when she feels unable to comply with the demands of faith she faces a difficult decision.

The mutant fetus is born. Dr. Helmer comes under heavy scrutiny for a botched operation that left a patient braindead, and begins to dabble in the dark arts in order to ward off those seeking an end to his career. Hypochondriac Mrs. Drusse finally does have something bad happen to her medically when an ambulance hits her.

Ivan is a very lonely 8 year boy who is bullied almost every day in school. Even his father taunts him because Ivan litteraly is a weakling (That should explain the title Rubber Tarzan). As a result of this Ivan spends a lot of his time on daydreaming until he meets a kind of kindred spirit - the friendly and lonely crane driver Ole.

The boy Topper is bored. He finds a pencil that proves to have magical powers. Draw a rhino, and right away, you have a real rhino for a companion. A little heavy perhaps, when you live on the second floor. No matter, it's a modern fairy-tale of the baroque, and everything goes. Based on kiddie entertainment by Ole Lund Kirkegaard, but as was the case with the book, the fun is to be enjoyed by one and all.

At The Kingdom, Denmark's most technologically advanced hospital, a number of strange and otherworldly events begin occurring, much to the dismay of its doctors and patients. A ghostly ambulance appears and disappears, the voice of a little girl calls to a patient in an elevator shaft, and a doctor's fetus begins growing at an alarming rate.

Liv Ulmann's directorial debut also had her co-authoring the screenplay (with poet Peter Poulsen) as based on a Henri Nathansen's 1932 novel about an affluent late 19th century Jewish merchant family in Copenhagen. Ulmann focuses on strong-willed daughter Sofie's progress through life: a love affair with a gentile painter, an arranged marriage , childbirth and ever more fateful challenges.

An everyday story about a young girl from the countryside and the people she meets when she moves to the big city to train as a hairdresser.

This film introduces us to Hugo, a one-of-a-kind animal who lives in a jungle. Youthful and carefree, Hugo is prone to playing practical jokes on his friends, Zig and Zag the monkeys. His idyllic lifestyle is interrupted when he is captured by CEO of a famed movie company, Conrad Cupmann, to be co-star in a Hollywood-style film. In order to return from Copenhagen to his jungle home, he must escape with the help of a newly found friend, Rita the fox.

Farcial action fun with Bertil and Hugo, who do menial jobs at a big city hotel. Bertil is about to marry and has put money aside for his bride's morning gift. Only Hugo has kind of borrowed the money and blown it all on a wrong bet in a pigeon race. Together, they obviously have to get rich quick. When a diamond seems to be lying around for the taking, the hotel is virtually on its head.

Johannes Vig lives a lonely life on Sandø. He is a schoolteacher, and since Sandø is currently cut off from the outside world due to ice, the island's population must fend for themselves. Johannes is secretly in love with both Annemari, the grocer's young daughter, and Rigmor, the farmer's wife. At the same time, Johannes' life is very bleak, and he finds it difficult to express his love. Life on the island is disrupted by Harry, a young engineer who is courting Annemari. Annemari's boyfriend is currently on the mainland, which is why Johannes is watching over her virtue.

About sixteen-year-old Susanne and her relationship with her parents and friends. To make her friend Peter jealous, she flirts heavily with a forty-year-old silversmith from the sailing club where she works.

FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...

A young teacher, Eva Nygaard, arrives in Greenland from Denmark to surprise her fiancé, the Doctor Erik Halsøe, but is crushed to find he has not waited for her and he is about to be married to his assisting nurse. Eva travels to a small fishing village to await the next ship back to Denmark. There she enters into a tense and often confrontational relationship with Jens, a quiet moody Dane who manages a trading company outpost. Meanwhile, Jens is trying to persuade a Greenlander named Pavia to become a company fisherman, despite Pavia's fear of alienating his fellow villagers and upsetting the spirit, Qivitoq.

When parliamentary officer Bertelsen finds the body of a man in a light box at Christiansborg one day, he is immediately given time off with official silence, while a murder investigation is kept secret from the press. The dead man appears to be an international arms dealer, and the government has a problem explaining itself.

Martin has just returned home from Africa and meets Lis at an anti-nuclear demonstration. They begin a relationship, but it is disrupted by his memories of the war. Martin seeks out his old group from the war, but the others are unwilling to talk about the past.

Factory worker Vivi is pressured by her boyfriend to pose as a fold-out girl for the men's magazine Ugens Rapport. A man from the neighborhood begins to stalk her and call her. When she goes to the North Sea to find peace, he follows her. On the bus, Vivi meets middle-aged Harriet, a disillusioned man-hater, and they decide to teach her stalker a lesson. However, it takes a more serious turn than Vivi is prepared for.

The television series was based on a play by Danish author Bjarne Reuter. In 1984 Reuter published his collection Tre skuespil ("Three Plays"); a collection containing also En dag i Hector Hansens liv ("A Day in the Life of Hector Hansen") and Kom der lys i neonrøret, gutter? ("Was There Light in the Neon Tube, Boys?") – in addition to Busters Verden.

When a boring collage professor is mistaken for his cousin, he gets into all kinds of trouble, with hilarious results.

The beautiful and spoiled manufacturer's daughter Helga defiantly bets with her friends whether she can survive a whole year as a working housekeeper without financial help.

Karl Åge and Regitze host a summer garden party for close friends, their son, and his family. Karl Åge is quiet, detached; Regitze is spirited, lively. He thinks back: love at first sight during the war, living together unmarried, her mother's hunger strike when they won't baptize their son. Regitze is passionate and forthright; she speaks her mind. He remembers her inviting a derelict for Christmas dinner, and the man shows up with five bashful friends. He recalls her taking on their son's teacher when the man slaps the lad. He remembers her love of dancing and his fear that his social clumsiness might end their relationship. Now, in twilight, he has other things to face.

Tine is in love with the young owner of a beautiful castle, Karsten. She has been dreaming about the castle since she was a small child and visiting her auntie, who is a neighbor to the castle. But an evil plot has been made to take the castle from Karsten.

It is the adult Gustav Adolf, who tells the story of the momentous day when he as a little boy with his father and mother and the whole staircase, went to the beach to enjoy the pleasures of bathing. We are in 1930s working-class neighborhood in Copenhagen. In a backyard apartment, we meet the little working-up of small Gustav Adolf (Benjamin Rothenborg Vibe) who has great respect for his father, Axel (Erik Clausen). Father has a very lively gab and is always ready to tell a story from her exciting life - often from the time he was on the big Argentine pampas.

The mysterious Mr. Steinmetz has acquired the ability to create things and beings by will alone. Only, after a while his creations invariably disappear. He therefore approaches a famous brain surgeon, Max Holst, who he hopes can help him with this problem. When Max refuses, Steinmetz brings his doppelgänger into being to replace him.

Adaptation of the classic Danish Christmas story about Nikolaj, a student, and his two older brothers, who are spending their vacation with the kind pastor's family in Nøddebo. Nikolaj is very interested in the pastor's daughters, Emmy and Andrea Margrethe, but it is his brothers who end up getting engaged to the girls.

The Kingdom is the most technologically advanced hospital in Denmark, a gleaming bastion of medical science. A rash of uncanny occurrences, however, begins to weaken the staff's faith in science – a phantom ambulance pulls in every night, but disappears; voices echo in the elevator shaft; and a pregnant doctor's fetus seems to be developing much faster than is natural.

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.

In 1970s Denmark, the criminal police in a provincial town solve different criminal cases, when the police was dominated by men and DNA was not yet a tool in investigation.

One Big Family is a Danish television series in 12 episodes, first broadcast in 1982-1983. The series was directed by Bent Mejding, while the script was written in turns by Lise Nørgaard, Paul Hammerich and Jane Aamund. The series is produced by Nordisk Film for Danmarks Radio.

During the occupation in 1944, filmmaker Otto Baumann is murdered. Detective Helge Nielsen stubbornly investigates the case — even as he's hunted by the Germans.

A satire of a typical Danish provincial town ca. 1900 with it's malicious, but merry portraits of the citizens. We meet the misshapen Emanuel Thomsen "Tummelumsen" and the two friends senior examining officer Knagsted and senior teacher Clausen.