Elyseu Visconti

Directing

Elyseu Visconti

No biography available.

Known For

Cavalo MarinhoCavalo Marinho · 1979
Cavalo Marinho
6.01979
MovieDocumentary
Boi CalembaBoi Calemba · 1979
Boi Calemba
1979
Movie
A Fada do OrienteA Fada do Oriente · 1972
A Fada do Oriente
8.01972
Movie
A 1972 Portuguese language drama/adventure film written and directed by Júlio Bressane, starring Rosa Dias and Elyseu Visconti.
TicumbiTicumbi · 1978
Ticumbi
8.01978
MovieDocumentary
Peréio, Eu Te Odeio!Peréio, Eu Te Odeio! · 2023
Peréio, Eu Te Odeio!
8.02023
MovieDocumentary
23 years in the making, “Pereio, Eu Te Odeio!” is a documentary on legendary Brazilian actor Paulo Cesar Pereio, an irreverent and controversial artist and public figure, as told by the testimonies of friends, family, and society members who hate him.
The Monsters of BabalooThe Monsters of Babaloo · 1970
The Monsters of Babaloo
6.91970
MovieComedyHorror
Daily scenes of a grotesque family living in the metaphorical island of Babaloo.
Feira de Campina GrandeFeira de Campina Grande · 1979
Feira de Campina Grande
1979
MovieDocumentary
Baron Olavo, The HorribleBaron Olavo, The Horrible · 1970
Baron Olavo, The Horrible
6.01970
MovieComedyCrime
Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival

Filmography

Sort
Baron Olavo, The HorribleBaron Olavo, The Horrible · 1970
Baron Olavo, The Horrible
6.01970
MovieComedyCrime
Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival

Art Direction