Marius Panduru

After twenty years away, Odysseus washes up on the shores of Ithaca, haggard and unrecognizable. The king has finally returned home, but much has changed in his kingdom since he left to fight in the Trojan war.

John, a 35-year-old window cleaner, has dedicated his life to bringing up his 4-year-old son, Michael, after the child's mother left them soon after giving birth. When John is given only a few months left to live, he attempts to find a new, perfect family for Michael, determined to shield him from the terrible reality of the situation.

Gianina, a young Romanian, works as a housekeeper for a bourgeois family in Bordeaux. In the evenings, she rehearses the role of a maid with an amateur theater troupe in an adaptation of The Diary of a Chambermaid by Octave Mirbeau. She takes care of Louen, her employers’ son, while her own daughter is growing up far from her, in Romania. The maternal absence deepens into a wound but, as Christmas approaches, the promise of a reunion begins to take shape.

A normal working day on a construction site. Thomas, a 40-year-old crane operator, receives a call from his wife asking him to pick her up from the hospital. He finds her crying.

Adrian is a young poet who decides to leave Romania and go live to Spain. He wants to change his life, earn some money and learn Spanish. Upon arriving in Cordoba, he works at a car dealership that sells both old and new cars. During the day he hides in a small caravan in the parking lot of the car dealership. One day, Adrian finds a package with a CD and poster for a tour of one flamenco / jazz band. He is enchanted by the music and by the picture of Maria, who plays a bass guitar in the band. They both meet after a concert on the beach, where they begin their relationship full of passion, problems and surprises.

Orsolya is a bailiff in Cluj, the main city in Transylvania. One day she has to evict a homeless man from a cellar, an action with tragic consequences that triggers a moral crisis which Orsolya must weather as best she can.

In modern-day Transylvania, vampire hunts and labor strikes collide with sci-fi twists, romance, and AI-crafted tales, as multiple storylines blend folklore, classic horror, and contemporary elements into a fresh take on Dracula's legend.

On behalf of a multinational company, a production assistant drives around the Romanian city of Bucharest, interviewing various citizens who have been injured due to work accidents to cast one of them in a “safety at work” video.

In a small village in the Danube Delta, where traditions are confronted with new material purposes, a teenage girl is becoming a woman. This is the story of Ryna, a 16-year-old girl working as a motor mechanic in Sulina, who strives to find her identity next to a father who is firmly denying her femininity.

Cristina, a mid 30s secretary living in an alienating and hostile Bucharest, is trying to understand what it means being a bills-paying, ready-to-settle, social-ladder-climbing adult while still desperately wanting to be a good child for the single mom that raised her. She is also a character in a novel that a theatre director is turning into a feature. As the actors start setting into the story, their individual backgrounds, social circumstances and personal motivations begin to overlap with the fiction they were offered, making it their own, questioning it and shaping it. The result is what it’s supposed to be: a playful mesh of perceived reality and fabrication.

In 1981, chalk slogans written in uppercase letters started appearing in public spaces in the Romanian city of Botoşani. They demanded freedom, alluded to the democratic developments taking place in Romania’s socialist sister countries or simply called for improvements in the food supply. Mugur Călinescu was behind them, who was still at school at the time and whose case is documented in the files of the Romanian secret police. Theatre director Gianina Cărbunariu created a documentary play based on this material.

A Romanian police officer teams up with a small crew of bank robbers to pull off a heist by convincing everyone at the scene of the crime that they are only filming a movie.

36-year-old Stela has higher education but unable to keep a job. Since she was 12, she's been in love with a Serbian musician from the former Yugoslavia. One of the musician's alleged mistresses promises Stela that she will help her meet her idol.

Box is a story of two people who meet at a crossroad. Two different destinies, two different lives, face to face in a game of sweat, blood and tears. Rafael (19) is a young boxer who dreams to conquer the world; Cristina (33) is a single mother who lost her balance. Two lives; one running very close to the earth, the other trying to fly high up, too high.

Bucharest 1989 - the last year of Ceausecu's dictatorship. Eva lives with her parents and her 7 year old brother, Lalalilu. One day at school, Eva and her boyfriend accidentally break a bust of Ceausescu. They are forced to confess their crime before a disciplinary committee and Eva is expelled from school and transferred to a reformatory establishment. There she meets Andrei, and decides to escape Romania with him. Lalalilu becomes convinced that Ceausescu is the main reason for Eva's decision to leave. So with his friends from school he devises a plan to kill the dictator.

A cop named Cristi must go undercover to trail teen Victor who is suspected of selling pot in the north-eastern city of Vaslui.

A couple in their late 30’s sets out to prepare a fake photo album of a pseudo pregnancy period in order to prove their biological tie to the baby they’re planning to adopt.

It's the 22nd of December. Sixteen years have passed since the revolution, and in a small town Christmas is about to come. Piscoci, an old retired man is preparing for another Christmas alone. Manescu, the history teacher, tries to keep up with his debts. Jderescu, the owner of a local television post, seems not to be so interested in the upcoming holidays. For him, the time to face history has come. Along with Manescu and Piscoci, he is trying to answer for himself a question which for 16 years has not had an answer: "Was it or wasn't it a revolution in their town?"

Set in early 19th century Wallachia, Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.

Besnik is a lonely shepherd and devoted Muslim, haunted by unfulfilled love. He is the son of a Catholic mother and formerly Communist father whom he takes care of in an Albanian village in the mountains. Up here, Christians and Muslims have found a way to co-exist peacefully. Even after the discovery that the old mosque used to be a church and that the building was actually shared by the two religions in the past, the calm of daily life can be preserved - with Besnik's help. After the death of his father, however, drastic changes threaten Besnik's multi-faith family and the shepherd is forced to seek his own path.

Cristian, a young idealistic prosecutor whose career is on the rise, tries to crack a case against a senior colleague accused of corruption. The dilemma of choosing between his career and the truth weighs heavily on his shoulders. Looking further to solve the case, he enters a danger zone paved with unexpected and painful revelations.

Cielo is a mother whose teenage daughter is kidnapped in Northern Mexico. When the authorities offer no support in the search, Cielo takes matters into her own hands and transforms from housewife into a vengeful militant.

Matilda takes a one-day release from jail to attend her mother’s funeral, with no intention of returning. The clock is ticking as Matilda tries one last time to get help from her family and is forced to confront her troubled past.

"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.