Nonna Mordyukova

The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.

As 1809 nears its end, Natasha attends her first ball, where Andrei falls in love with her with the intent of marriage. However, as her father demands they wait, the prince travels abroad, leaving Natasha in desperate longing. But she meets Anatol Kuragin and forgets Andrei. Part two of the four-part adaptation of Leo Tolstoy's 1869 novel.

In July 1942, in the Second World War, the rearguard of the Russian army protects the bridgehead of the Don River against the German army while the retreating Russian troops cross the bridge. While they move back to the Russian territory through the countryside, the soldiers show their companionship, sentiments, fears and heroism to defend their motherland.

A Russian criminal steals a giant diamond from the Mafia, hides it, and suddenly runs into his unknown brothers; unexpected, absurd events with participation of the mob, doctors, musicians, Americans, militia, and gypsies ensue.

A diamond smuggling operation goes wrong when an ordinary Soviet citizen becomes unwittingly involved, and the criminals are forced to court him to retrieve their diamonds.

Klavdia Vavilova, a Red Army cavalry commissar, is waylaid by an unexpected pregnancy. She stays with a Jewish family to give birth and is softened somewhat by the experience of family life.

Platon is travelling by train to visit his father. He gets off to have lunch where he meets Vera, a waitress. He refuses to pay for the food after which a series of unfortunate events unfold for the pair.

Central Russia. The deputy chairman of the district executive committee, Tretyakova, was instructed to organize work to eliminate the consequences of a tornado that suddenly hit the village. She has to come to terms with the indifference of summer residents from a neighboring village, untouched by the disaster. Relying on her own experience and the will of the victims, Tretyakova will do her best...

The story follows Maria Konovalova who travels from her rural village to visit her daughter Nina in the city. Maria's arrival exposes the stark contrasts between rural and urban lifestyles and reveals deep-seated family tensions. Interestingly, Родня (Rodnya) in Russian sounds very similar to the word Родина (Rodina), which means "Motherland." The film features three generations of women — Maria, her daughter Nina, and her granddaughter Irina — symbolizing three different Russias: one from the past, one modern, and one representing the future.

She is smart, surrounded by parental attention and therefore not completely independent, and he is one of those who cannot imagine himself without creation, since he is a builder. They are very different people, but the young are united by a keen sense of responsibility for everything that happens around. And so, having parted, they will definitely meet again...

The war was over. Like many of her female friends, Sasha Potapova was left a widow. It was hard living without a man’s shoulder to lean on, without love and affection, yet no one had ever seen her crying or despairing. For her strong character, the fellow-villagers elected her a collective farm chairwoman. The work, with its cares and worries, helped all but forget about her personal misfortune and woman’s loneliness. And then she fell in love – a bittersweet, unshared love, but happy anyway…

Andrei is the head of a gang of antisemitic skinheads clinging to the old communist ideals in post-Communist Moscow. When he learns that his long lost father actually is a Jewish bohemian living in Moscow, rather than an Afghanistan war hero, he traces him down in order to kill him. But the intriguing father and his "reactionary" lifstyle soon fascinates Andrei which leads to a clash with his gang.

A veteran of World War II returns to civil life and the collective farm he once led, only to find his wife has re-married.

The action takes place during the Great Patriotic War. Peasant Matryona Bystrova loses her husband at the front, then her eldest son goes missing. Matryona decides to save the youngest son at all costs and shelters him from being drafted into the army in the attic of the house until the end of the war. But it turns out that saving her son, she condemns him to spiritual death, and herself to torment of conscience. A private story about the mother of a deserter grows to epic proportions...

The dentist of the provincial town of Upper Yamki made an unexpected scientific discovery by finding the thirty-third tooth in the patient’s oral cavity, Ivan Sergeyevich Travkin. Travkin, exhausted from pain, was taken to Moscow. Ivan Sergeyevich first becomes a patient of a madhouse (thanks to envious persons), and then — a hero of a scientific international conference and, finally, a patient of a dentist professor Bruk.

An important event is taking place in a small provincial town, an elderly rich prince arrives. The local "lioness" Maria Alexandrovna Moskaleva decides to marry him to her daughter Zinochka. But the "noble" Mordassov society is by no means inclined to voluntarily give up its positions: after all, in the head of every mother who has a marriageable daughter, the dream is to get a rich man as a son-in-law.

Twelve-year-old Pavlukha lives on a fishing farm with his mother. His father left his family long ago, in which, apart from Paulukha, he has two other children. To help his mother somehow, the boy goes to town to earn money...

In 1920, just 3 years after the October revolution, the peoples had to decide between conforming to Bolshevism or national self-determination. In that torn-apart-time, one man, the comedian Volodya, tries to mediate, not between different ideologies, but social life and art. While others just want to wash away their gloom, he reflects on the everyday sorrows and the role of art in that time of changes.

Aleksei comes to Chelyabinsk from Moscow — a young student who proclaims a free lifestyle, not constrained by everyday hard labor. Aleksei falls in love with a young singer Lyudmila, the daughter of hereditary workers. When a Moscow student enters the family of noble steelworkers — people who are proud of their working roots, his self-identity changes. From now on, to Aleksei idleness already seems shameful, and idleness is shameful. To be worthy of such highly respected people as the Ivanov family, Aleksei goes to work as a steelworker.

Avdey, the husband of the tractor forewoman Fedosya leaves her for another woman. Their 18-year-old son Filipp can not forgive his father and on the day of the new wedding even tries to run over a tractor car in which the father is driving with a new wife. Shortly after the wedding, Avdey realizes that he made a fatal mistake and is trying to return to Fedosya, but she cannot forgive. Filipp was taken into the army, on the border where Filipp serves, an armed violation of the border occurs, during which he dies.

Born in Volzhsky, raised by a strict and domineering grandmother, Ekaterina lost her mother at an early age. Rare encounters with her father, an old, distinguished captain, shaped her into a strong and uncompromising character. War broke out. Without hesitation, Ekaterina went to work in a hospital. There she found her first love, which also brought her first disappointment. After the war, having graduated from university, Ekaterina became an engineer and head of a river port section. She had a complicated relationship with the head of the shipping company. When he was dismissed from his job due to justified complaints, Ekaterina realized that she had lost the person closest to her forever.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

In 1942, local teenagers are organizing the underground resistance in the city of Krasnodon during the Nazi occupation of Russia. The teens manage to outsmart the Nazis in their fight, and their activity lifts the spirits of the surviving citizens.

The third film in the trilogy ("The Sisters", "The Eighteenth Year", "The Gloomy Morning") based on the novel by Aleksei Tolstoy "The Road to Calvary". About the fate of the Russian intelligentsia against the background of the collapse of the Russian Empire and the civil war, which turned the lives of all the heroes of the film narration. Defending Tsaritsyn, the red commander Telegin was seriously wounded. At the hospital, he meets Dasha. After his recovery, the young spouses go together to the Red Army.