Piotr Szulkin

Scope is a prisoner on a behemoth space station and is chosen, like all his fellow prisoners, to 'volunteer' for the exploration of far-away planets. Landing on planet Australia 458, he is given a hero's welcome with all the sex, booze, and violence that any one man can stomach. But as his new caretakers push him towards even more heinous and deplorable acts, Scope finds that his freedom comes with a high price; his own violent demise, broadcast live for the viewing pleasure of Australia 458's inhabitants.

On the eve of the Day of the Dead, among mysterious old rituals of the Vilnius region, ghosts of the past and present start to appear.

The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.

Poland, Christmastime. A band of hyperintelligent, bloodthirsty Martians take over the country and enlist hapless television newscaster Iron Idem as the voice of their propaganda machine. But when Iron dares to go off message, he makes an enemy even greater than the aliens—the state itself.

"Mieso" (Meat) is a satirical and irreverent revision of the most recent history of Poland.

The movie consists of three novellas, the events of which take place during World War II. The first, "White Daisies", tells how a Polish priest saves a Jewish boy who survived a mass shooting. Another movie story, "Desolation," is about a ghetto boy in love who must, by all means, bring wildflowers to his beloved. The third novel, "The Cuckoo's Prediction," is about a prisoner who escapes from a POW camp. He escapes after his bunkmate tells him that he heard him speaking Yiddish in his sleep.

Dialogue-free short detailing the daily tasks of a man and his wife.

Pernat finds himself in a police interrogation, accused of a murder, and unable to recall any details of the crime, or even his own life. He's released back into a world of raving lunatics and deranged dentists, murderous doctors and scientists who believe the secret of human creation is inside the walls of a cast-iron oven.

The world has been ravaged by nuclear war. The planet is frozen and radiation kills anyone or anything that ventures outside of 'The Dome'. Soft is a shepherd for the last remnants of humanity who have gathered together as they await rescue from a mysterious craft known only as 'The Ark.' He wanders among the masses, performing his regular daily tasks; keeping morale from plummeting, wooing prostitutes, squashing rebellions, and sometimes feeding the hungry. But as the true and sinister nature of 'The Dome' comes to light, Soft must ask himself if humanity is worth saving...

The beginning of the occupation. A closed mental world for the sick. Dr. Kauters values ​​only methods of resolution, Dr. Rygier is a believer in strong authority, Dr. Marglewski considers psychic property a form of haunting, Dr. Nosilewska left Austria after the Nazi occupation. The writer Sekułowski seeks shelter. The young, newly arrived doctor, Stefan, refuses to remain passive in the face of the situation and events...

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

A surrealistic portrait of restaurant guests as seen by an otherworldly visitor who has the ability to read people’s subconscious.

An apple is squished to the soundtrack of its amplified demise.

A grotesque Shakespearean tale of Ubu who comes to power in a bloody way. When his absurd reforms fail and the treasury gets empty, Ubu and his flatterers start implementing terror across the country.

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

Szulkin stages a morality play about a sinful woman’s encounter with the devil, set to the Polish ballad of the same name and imbued with folkloric imagery.

Loosely connected scenes in the life of a young student.

Two young men change their clothes and explore abandoned rural scenery.

A Polish folktale set in the Middle Ages, tells the story of a man, whose eyes, or the gaze of them, brings upon death.