Delia Derbyshire

A team consisting of a physicist, his wife, a young female psychic, and the only survivor of the previous visit are sent to the notorious Hell House to prove or disprove survival after death. Previous visitors have either been killed or gone mad, and it is up to the team to survive a full week in isolation, and solve the mystery of the Hell House.

Doctor Who fan favourite Catherine Tate presents a concert of music, monsters and mayhem featuring soundtracks from the iconic series, a specially shot feature for the Fifteenth Doctor and a host of scary aliens as they thrill a packed audience at London's Royal Albert Hall. In a concert like no other in time and space, the much-loved music, performed by the BBC National Orchestra of Wales, is accompanied by specially edited sequences from the series.

UNIT is providing security cover at an experimental drilling project at Eastchester, designed to penetrate the Earth's crust and release a previously untapped source of energy. Soon, however, the drill head starts to leak an oily green liquid that transforms those who touch it into vicious primeval creatures with a craving for heat. The Doctor is accidentally transported "sideways in time" by the partially repaired TARDIS control console into a parallel universe where the drilling project is at a more advanced stage. Thwarted by his friends' ruthless alter egos, he works to save both universes.

The newly-regenerated Doctor helps UNIT battle a sentient robot being manipulated by a corrupt scientific organization.

Robot QT-1, aboard an orbiting space station, controls the massive energy beam which transmits the sun's power to receivers on Earth. But QT-1 (Cutie) has some strange bees in his positronic bonnet. How could weak creatures of protoplasm create a nearly invincible, totally logical entity like himself? It is up to his human supervisors, Powell and Donovan, to convince Cutie of his niche in creation before his new robot theology becomes a threat to all life on Earth.

On the jungle planet Spiridon, the Doctor, Jo and a Thal group find a slumbering army of Daleks ready to awaken.

The TARDIS arrives in 2070 on the Moon, where a weather control station under the command of a man named Hobson is in the grip of a plague epidemic — in reality the result of an alien poison planted by the Cybermen. Jamie is knocked unconscious and lapses into a delirium, leaving the Second Doctor, Ben, and Polly to fight off a massive Cyberman attack.

The Time Lords dispatch the Doctor to the past of the planet Skaro on his deadliest adventure yet — to prevent the creation of the Daleks.

Mad scientist Mehendri Solon is building a body from spare parts to house the disembodied brain of the evil Time Lord Morbius. He fancies the Doctor's head as the final piece...

On the edge of the universe, the Doctor, Leela and K9 encounter a Minyan ship on an epic quest to find their race banks... but their people have encountered the Time Lords before...

Death stalks the fogbound streets of Victorian London: young women are going missing, horribly mutilated bodies are found floating in the Thames and criminal gangs terrorize the innocent. At the heart of this tangled web sits the mysterious Li H'sen Chang, sorcerer and hypnotist, and his grotesque sidekick Mister Sin. The Doctor dons deerstalker hat and cape to seek out the sinister force lurking in the shadows of the metropolis, for the Talons of Weng-Chiang are reaching out to shred the human race.

The Doctor and his companions are pursued through time and space by the Daleks on the desert planet Aridius and beyond.

The Doctor, Jamie and Zoe arrive on an unnamed planet. At first believing themselves in the midst of World War I, they realise it to be one of many War Zones overseen by the War Lords, who have kidnapped large numbers of human soldiers to form the greatest army the universe has ever seen. At the helm of this plot is the War Chief, another renegade Time Lord like the Doctor. The creeping realisation sets in that the Doctor cannot solve this problem alone, and that his days of wandering may be at an end...

The Time Lords send the Doctor and Jo on a mission to deliver a sealed message pod to an unknown party aboard a Skybase orbiting the planet Solos in the 30th century. They are caught quickly in a power struggle between the cruel Marshal of Solos and the young Solonian Ky over the future of Solos - a future that hinges on the contents of the message.

On the eve of May Day, dark elemental forces begin to disturb the village of Devil's End as the Master summons the demon Azal: unexplained murders, a stone gargoyle come to life, and a nigh-impenetrable infernal energy dome. With the Master fully prepared to destroy the Earth, the Doctor and UNIT - aided by a benevolent practitioner of witchcraft - battle the wicked rites of a secret science wielded by an alien from another world.

While taking in the sights of Paris in 1979, the Doctor and Romana sense that someone is tampering with time. Who is the mysterious Count Scarlioni? Why does he seem to have counterparts scattered through time? And just how many copies of the Mona Lisa did Leonardo da Vinci paint?

The New Doctor arrives on Earth in the middle of a freak meteor shower. Faceless killer shop window dummies are coming to life and killing anything that comes into their path while Facsimiles are replacing top Military, Political and Civil leaders. The Nestene has come to invade the Earth. The convalescent Doctor teams up with Brigadier Lethbridge-Stewart and Dr. Elizabeth Shaw of UNIT to thwart the Nestine's plans even as the invasion begins.

In the year 4000, the Daleks conspire to conquer the Solar System. Their scheme involves treachery at the highest levels and a weapon capable of destroying the very fabric of time. Only the Doctor and his friends can prevent catastrophe — and there is no guarantee they will escape with their lives...

When the Doctor, Sarah Jane and Harry arrive in Scotland, having received an urgent request for assistance from the Brigadier, they discover that the mysterious force which has destroyed three oil rigs has left giant teeth marks on the wreckage. The mystery deepens, leading them to the shores of Loch Ness where they find that the legendary monster really does exist – and is the murderous tool of the Zygons, aliens intent on overpowering the planet. The Doctor, his companions and UNIT must find a way to defeat the deadly Loch Ness Monster and its controllers, but the Zygons have the terrifying power to change shape. The Doctor's life has never been in more danger, as the line between allies and enemies is tested to the very limit...

“It all begins with how you feel on a bridge… You see how other people are busy and how you experience it yourself and so it becomes something about people.” The artist Marian Plug speaks to filmmakers Stansfield/Hooykaas while composing her large and intricate silkscreen “The Bridge.” After filming the many different types of bridges around Amsterdam, they interview workers who clean, paint and repair the bridges. Anchored by a buoyant electronic soundtrack by British composer Delia Derbyshire (known for her groundbreaking work with the BBC Radiophonic Workshop), the filmmakers brought Derbyshire to Amsterdam for the shoot, so that they might create ideas together and so that she could experience the rhythms of the city. The film explores different ideas of work, connection and positioning: a bridge means something different to a builder, an architect or someone walking over it.

The Third Doctor and Sarah arrive in 1970s London to find it has been evacuated because dinosaurs have appeared mysteriously. It turns out the dinosaurs are being brought to London via a time machine to further a plan to revert London to a pre-technological level.

The blue crystal that the Doctor took from Metebelis III in a previous adventure is desperately sought by the Eight Legs, a race of mutated spiders, as the final element in their plan for universal domination. With help from an old mentor, the Doctor realises the only way to foil the plot is to make the ultimate sacrifice. The Doctor must risk death to return to the cave of the Great One and save the universe.

Arriving on Space Station Nerva in its distant past, the Doctor, Sarah and Harry find its crew threatened by a mysterious plague. Discovering that things are not as they seem, they uncover a Cyberman plot to destroy Voga, planet of gold.

An alien intelligence hitches a ride onboard the TARDIS to 15th century Italy, where a deranged astrologer attempts to harness its power.

The Doctor is a Time Lord: a 900 year old alien with 2 hearts, part of a gifted civilization who mastered time travel. The Doctor saves planets for a living—more of a hobby actually, and the Doctor's very, very good at it.

The adventures of The Doctor, a time-traveling humanoid alien known as a Time Lord. He explores the universe in his TARDIS, a sentient time-traveling spaceship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, The Doctor faces a variety of foes while working to save civilizations, help ordinary people, and right many wrongs.

Out of the Unknown is a British television science fiction anthology drama series, produced by the BBC and broadcast on BBC2 in four series between 1965 and 1971. Each episode was a dramatisation of a science fiction short story; some were created for the series, but most were adaptations of already published stories. The first three years were exclusively science fiction, but that genre was abandoned in the final year in favour of horror and fantasy. A number of episodes were wiped during the early 1970s, as was standard procedure at the time.

John Berger's Ways of Seeing changed the way people think about painting and art criticism. This watershed work shows, through word and image, how what we see is always influenced by a whole host of assumptions concerning the nature of beauty, truth, civilization, form, taste, class and gender. Exploring the layers of meaning within oil paintings, photographs and graphic art, Berger argues that when we see, we are not just looking - we are reading the language of images.