Hera Lind

The 12-year-old Fridolin Sternberg is looking for answers to the reasons for his parents' divorce.

Franziska's decision between career and family is made easier when her childhood friend Marie, an ambitious fashion designer, moves in with her to take care of the chaotic children together with her lively, lively mother-in-law Alma. When it turns out that Franziska and Marie are expecting a child by the same man, the women's relationship is put to the test.

To their big surprise, the capable waitress Gundula Kirchner receives from the estate owner Xaver Schönborn the offer to manage his stud as managing director. Gundula, who has some qualifications, seizes the opportunity and has the business under control after only a short time. But Xavers spoiled daughter Helen and especially the ambitious, but incompetent son-in-law René try by all means to drive the dedicated Gundula from the court. No one, least of all Gundula herself, suspects that Xaver is really her father.

Because of a name mix-up, hair artist Burkharda Meier is hired as a singer on a dreamboat. At first, she sounds no better than a crybaby, but a few singing lessons, love affairs and minor murders later, she becomes an audience favorite as Nancy Meyer...

Lotte and Louise meet at a summer camp. Everyone who sees the two falls open in surprise, the girls look so much alike. It doesn't take long before they find out that they are actually twins.

Franziska is a romantically inclined housewife with two children and a husband who spends most of his time traveling around the world and working as a director. However, he cheats on her with his actresses. Franziska goes to see the lawyer Enno Winkel about buying a house, but he prefers to handle divorces. And without realizing it, she suddenly inadvertently initiates her own divorce...

From one day to the next, the diva falls from the Olympus of the opera world when she rushes to the aid of her sick father Karl and cancels a performance at the Cologne Opera. The audience and, above all, the management are furious, as "Die Herbst" has been harassing the directors of the major opera houses for years with her whims and demands. The second cast is now to be given their chance.

Vocal soloist Pauline is caught between a rock and a hard place. While her career is finally taking off and she should be putting all her energy into her profession, her private life is becoming increasingly chaotic. Two men, both charming and loving: no wonder Pauline can't decide between the concert critic Georg and the successful doctor Klaus.