Maria Protopappa

New Year 1996. The Balkans are shaken by nationalist wars, after the overthrow of socialist regimes. The wars have resulted in economic crisis and large population displacements. Three women, unknown to each other, from different Eastern European countries, meet in a border town in Bulgaria, in order to cross illegally into Greece.

A convict out of prison to visit his mother, followed by two policemen. A lunatic out of the asylum, followed by two doctors. Their meeting is the beginning of the most hilarious situations, as they begin their quest for freedom

A group of friends decide to marry

A universal theme: a story of people trapped in an inhuman network of power. The brutal circle of the Eurogroup meetings, who impose on Greece the dictatorship of austerity, where humanity and compassion are utterly disregarded. A claustrophobic trap with no way out, exerting pressures on the protagonists which finally divide them.

Holy Week in Pelion. Two friendly Athenians couples find in their yard corpse of a stranger. They try to avoid the charge of murder by locals, while in the whole fuss becoming uncovered secrets that will change the lives of everyone.

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

Vasilis Arvanitakis after spending the E.U money for buying a poor Brazilian Football player, must face the two members of the E.U who will come to check how and where the money is spent...

Anna, a young art historian, is preparing an exhibition on the painter Maria Dimou, whose death is shrouded in mystery. Drawing information from Dimou's partner, Angelos, she gradually begins to discover that both he and Maria's life hide many dark secrets.