Xandó Batista

Comedy in 4 segments. In "Arroz e Feijão" (Rice and Beans), owner of a boarding-house seduces her young countryboy tenant. In "As Três Virgens" (The Three Virgins) three spinsters are influenced by the behaviour of their teenager niece, whom they are lodging. In "O Arremate" (The Purchase) a colonist turns his virgin daughter in to a landowner, to have his debts forgiven. And, finally, in "Vereda Tropical" (Tropical Trail), a man becomes sexually obsessed by a watermelon, to the point of having sexual intercourse with it. The stories are based on prize-winner short stories, from a Playboy contest.

In the island of Paquetá, professor investigates the genital vocation of vegetables and fruits, maintaining sexual relations with a watermelon. In his experiences, he counts on the interlocution of an attentive student.

Erotic spoof of Snow White and the Seven Dwarfs.

Candinho is a hillbilly who leaves the countryside, taking his donkey along, and goes to São Paulo, trying to find his mother.

Accused of raping and killing five women, Rodolfo is convicted of the crimes. The young man, however, pleads not guilty to all charges

Manuel is a fanatical barber for a São Paulo soccer team, Corinthians, and that's why he always gets into trouble with his neighbors and family.

A woman marries a gambler, thinking she could straighten him up, but he loses all their assets, even their own house, and tries to commit suicide. But one of the winners falls for his stepdaughter, and this could change the situation.

Eugênio falls in love for Margarida, a poor girl who lives in his parents' farm. In order to avoid their love affair, the parents send him to a Catholic Seminary to be a priest. Just before his ordination, he meets Margarida again, and their old feelings for each other are triggered once more.

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

Saul and Mônica return to São Paulo after three years and find his family's colonial mansion abandoned, inhabited only by his old nanny, Bá, and his brother, Domício.

Barbara Leen owns a coffee export company based in Rio de Janeiro. The company has long since been infiltrated by smugglers, without Barbara knowing about it. The criminals are smuggling diamonds. Barbara's boyfriend is a journalist and tries to get to the bottom of the matter. But during his research he comes across more and more deaths. Eventually, however, he comes across the nightclub owner Leila and her lover Dumont. They appear to be the masterminds.

Tourist gets bonked on the head, suffers an amnesiac fugue, wanders away from her husband and children, becomes an evil prostitute-y thief-y saloon gal.

Isidoro Colepicula is a humble truck driver hired to transport some furniture from São Paulo to Santos, in his worn out truck he calls "Anastácio". Hiding among the pieces travels a bride who's trying to escape her own marriage. With his dog Coroné, he gets himself into many amusing situations, especially when the packed vehicle is left without brakes on a steep road, and he has to chase after it.

Swindler in jail devises a scheme to blackmail the family of recently deceased people, threatening to tell supposedly incriminating facts about their dead relatives' lives.

Adventures of a highway patrolman and his German shepherd dog Lobo, fighting against crime.

Sílvia Nogalis, a renowned concert pianist, prefers her career to her marriage. On the night she performs Beethoven's "Appassionata", she learns of the death of her husband, maestro Walter Hauser.

When a dying man receives a kiss from a bereaved man who tries to save him, the man is jailed as a homosexual. He is released from jail, but his life has been ruined by the incident -- and the man eventually is killed by his own father-in-law. The kiss that resulted in the eventual persecution and death of the man is never shown in this plodding, downbeat drama.

Fábio, a mediocre and broke writer, is evicted for unpaid rent and even ends up in jail after a police raid on a brothel. His life changes when he unexpectedly inherits the fortune of his wealthy uncle Casemiro — only for the old man to recover soon after. Suddenly wealthy, Fábio dives into high-society parties while trying to finish a “dictionary of sex” and turn his new lifestyle into personal and sexual success. He reconnects with his former lover Gina, who introduces him to Candy, a glamorous nightclub performer who becomes central to his fantasies and ambitions. As scandals unfold and secrets come to light — including Candy’s identity as a travesti — Fábio becomes trapped between desire, money, social appearances and his own insecurities, forcing him to confront what he really wants from life.

Colonel Epaminondas is a retrograde and authoritarian man, who commands and dismantles the region. He declares war on Pedro Galvão, his main rival, when he donates part of his land – purchased from the colonel – for the construction of a church and a school. The arrival of professor Juliana, right at the beginning of the plot, changes the lives of the residents of the small village. Juliana takes over the school and ends up arousing the interest of Fernando, Epaminondas' son. Oblivious to the fights that drive the story are Pituca (Patrí and Serelepe (Aires Pinto). The friendship between the two children, however, does not please the colonel, who is always fighting with his daughter. 'Meu Pedacinho de Chão' was co-produced and shown simultaneously by Globo and TV Cultura in São Paulo.

The story takes place in São Paulo, in the late 1920s, and has Mariano's memories as its starting point. Orphaned, he loses the aunt who raised him and ends up in Madame Iara's brothel, where he meets two people who transform his life: Esmeraldo, a gigolo who loves the good life who becomes his master; and the prostitute Guadalupe, known as Lu, a sweet and extremely sensual woman. Esmeraldo is Lu's boyfriend, whom he loves unconditionally. Mariano enters the couple's lives and ends up falling in love with her, thus forming the love triangle that drives the entire narrative.