Hernán González Villamil

Hugo is 23 and still hasn't grown up. On the eve of his 24th birthday, he faces adulthood: he's unemployed, but goes to an interview at a real estate agency, a dream job that would allow him to wear a suit, something that reminds him of his absent father. He carries a deep fear of abandonment: his mother is in prison, his girlfriend is leaving, and his family is falling apart. When his landlord threatens to evict him in 24 hours, he begins a race against time that will mark his definitive step into adulthood.

A virus is unleashed and a chilling massacre runs through the streets of Montevideo.

In 1993, spectators at the last screening of a horror film at a downtown cinema fall one by one into the hands of a sadistic and ruthless killer.

Fifteen years ago, when our national soccer team entered the field for the Americas Cup final, the successful coach, the Engineer Erramuspe, never showed up. Two days later he resigned his position for "personal reasons". Since then journalists have been trying to interview him and to know about what happened but they have all failed. When everybody assumes the truth will never be known, a young reporter who was only a child when the Engineer lead the team to a World cup final, finally gets the interview....

Childhood friends reunite later in life in Spanish tuberculosis sanitorium. Pressures of death all around combine with dark secrets of their past.

A trumpeter for the Uruguayan Air Force Band finds an opportunity to make his dreams come true after enrolling in a music contest.

Simon is 21 years old. He introduces himself as a mover's helper. He claims not to know how to cook or clean the bathroom, but he does know how to make a bed. Recently, he seems to have become a different person…

Laura and her father Wilson arrive at a cottage off the beaten path in order to repair it since its owner will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.

Sofía discovers a mysterious box filled with several stacked audio cassettes in what will soon be her new bedroom. Each tape bears a name, a time, and a specific spot in the house. When she listens to them, she realizes they are recordings of spiritist sessions held there thirty years ago. Determined to find out whether her new home is truly haunted, Sofía invites two of her best friends, Camila and Verónica, to spend together an unforgettable girls’ night.

In 1924, the Uruguayan football team won the Olympic Games. It is the first star—of the four they now display on their crest—referred to in the title. This documentary revisits the story of that team that surprised the world through never-before-seen footage, expert testimonies, and a contemporary journey guided by César Troncoso, retracing the steps of that epic achievement.

At 88 years old, my grandfather Fernando suggested that we make a film together. His proposal comes when I tell him I'm moving out of his house. So we started filming, me with my camera and he with his. Although we have lived together for more than 20 years, it is through the camera that we see each other like never before. That Breath is an intimate record of our bond, love and loss, in search of understanding what it means to be alive.

Carla and Román are friends since adolescence, but do they really know each other? By resenting after a while, they will talk about what's unresolved: the mutual attraction and the love they share.

Agustina, a young upper-class woman, suffers from violence in the street after coming off from work. A taxi driver offers her help. Now Agustina must confront her own contradictions.

Fernando, a lonely and tormented man, gets a job as a night watchman in a warehouse close to being demolished. The building is huge, with several floors and wings interconnected by a confusing network of corridors and stairs. One night, Fernando hears strange noises and finds a gate open that should be closed. From that moment on, nothing will be the same.

During the COVID-19 lockdown in Lima, Ramón, a gay man in his thirties, receives the ashes of his estranged father. Unable to hold a funeral, he sets out to return the remains to his father’s native village of Mito. Along the way, he meets Mateo, a striking traveler grounded by the pandemic. Despite curfews, masks, and distancing, an unexpected bond forms. They dance, laugh, and grow attuned to each other’s presence, their closeness charged with quiet intimacy and unspoken possibility. As they journey into the Andean highlands, Ramón is drawn not only to Mateo but also to a deeper confrontation with grief, memory, and the hope of healing.

This film fable is not presented as an attempt to stop the natural course of existence, but as a way of approaching life and reconciling ourselves with its rules. Director Carolina Campo Lupo and Eliana were friends since they were teenagers, they grew up together and always accompanied each other, learning how to become women, mothers, friends and political beings. One day Eliana falls ill and, not knowing what to do, Carolina gives her her film camera as a way of dealing with the uncertainty. From that day on, together they begin to film their last encounters. With the camera as a witness, free and shared between adults and children, they go through the small moments of life; the everyday becomes transcendent and love emerges as the only thing capable of sustaining us.

Four women work together to create a play while they talk about their experiences with motherhood.

A seriously injured woman takes a rusty elevator from the ground floor to the sixth floor in an apartment building. She is bleeding and covered in glass. What has happened to her? Why is she there?

Paula & Azul. A funeral, a family secret and a road trip that will change their lives forever.

My father asked us that when he died, we throw his ashes down the beach at Nariño and the Rambla. That afternoon, I brought my camera.

1924: a group of men, amateur footballers of diverse professions and humble origins, set out on a journey towards the greatest adventure of their lives. They depart from Uruguay for Europe to disembark in Paris in its "Crazy Years" where, against all odds, Olympic glory and the amazement of the whole world awaited them. This feat would be the first of others to come in 1928 and 1930.

Gáspar is a public employee and Rebeca works in a funeral home,they reflect the discontent of a generation that has suffered the vicissitudes of Chile in the 1980s. Through it, the film explores how the working middle class survives such a convulsive environment.

Cecilia and Carlos, a daughter and a father, inspired a Norwegian play written by Elin Moe that deals with the consequences left in their lives by the Uruguayan dictatorship. Cecilia directed this film close to the premiere of the play, where Carlos talks about his unspoken truth: his years in prison and his exile.