Pavlína Filipovská

A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.

Now we see a naive reminder that television used to broadcast live productions, but in this case the live broadcast has taken on a surprisingly criminal dimension. One of the actors was killed during the broadcast - and it was seen by all the five million people who watched. Investigators are then reconstructing the suspicious event to find out whether it was an accident or a premeditated crime...

No Woman is allowed into Karlstejn Castle! Yet the enamoured Daniele Kolářová and the equally enamoured Jana Brejchová manage to spend one night in disguise in the Castle despite the strict royal ban.

Farmers get away from their arguments by embarking on a religious pilgrimage, enjoy a picnic en route, and on their return decide to form a cooperative.

The Haszler songs of Prague, so popular in the late nineteenth and early twentieth centuries, have not aged. They are still sung in pubs and on construction sites, in short, everywhere. They also have their place in the love stories from old Prague, so beautifully told by Miss Veronika. Their heroine is Miss Stázi, who at first had no luck in love with the student Tadeáš. But then she fell in love with three gentlemen at once. The shy Mr. Alois, the cheerful Mr. France and Mr. Johannes, who seduced her behind the Horse Gate. But in the end she preferred the old but rich landlord. Three abandoned gentlemen nearly took their own lives under the Stone Bridge. But grief overcame them and the gentlemen settled down to marriages richly blessed with adorable children. And Miss Stasi? She ran away from the old man and returned to Mr. Franco when he came home from the army.

A parody of operetta costumes, personas, old familiar situations with old familiar sandboxes and a happy ending.

The castle is preparing for the arrival of the princess who inherited the estate, the miller is in love with Hanička, as is the water sprite from the millrace, the teacher wants to complain to the authorities about his poverty, and the musician Klásek is running away from his wife. Seemingly everything is like something out of Jirásek. But that would be impossible if Josef Dvořák were playing the steward, the bailiff, the water sprite Michal, and Klásek. Hanička couldn't be missing parts of her underwear, the butler Franz couldn't have a suspicious fondness for his baroque outfit, and the princess (who got the estate back through restitution) shouldn't fall into unintentional (and unacted) fits of laughter.

The cheerful fairy tale takes us to the first category of hell, inhabited by mischievous devils, and the second category of hell with dirty devils. And this is where the village youth Kája Fousek falls as punishment for his arrogance... The devils decide to correct him. But one of them falls in love with Kája, and he falls in love with her.