Márta Fónay

Miskei, the popular and dynamic president of a co-op falls in love with Mari, the attractive wife of the elderly Pató. The deeply feeling woman is fed up with the service beside the haughty land holder, she is longing for tenderness and a child. The passion of Miskei is growing when he sees how crudely, humiliating Pató treats her. During a powerful summer shower, when chance brings them together in an abandoned press house, he storms on Mari confessing love. The woman refuses him bitterly. Miskei calms down and he keeps on expressing his love and high esteem with the woman by steadfast and tiny compliments. Early one morning Mari leaves her husband and sets off to the city to learn and to begin a new life.

Aunt Ilka, who likes company, opens her house standing in the middle of a six-acre rose garden in the little town for the golden youth of the town. As a result of her benevolence, the tenants are in the position to adore not only the roses but a nice bunch of to-be-married girls of the town.

The film, depicting life in the tenement houses of Angyalföld in the thirties joins the neorealist currents of Hungarian film. Ambrus Pista, the good humoured, attractive tram conductor is loved by women for his excellent job as well. With his lover, the street-walker Terus they spy upon the neighbour as he beats his wife in jealousy.

The Tóth family resides in Northern Hungary. The couple has a daughter and a son, the latter a member of the armed forces. When his weary major is ordered to take a vacation, the son talks him into a visit to his family home. Hilarity ensues when the Tóths go overboard trying to make things pleasant for the visiting major in hopes of an easier life for their son, the soldier.

The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.

A comedy about a lost inheritance, love and a red umbrella, which, according to a local legend, belonged to St. Peter himself.

The composer Berki András, in his co-tenancy noisy with the barking of dogs and the hullabaloo of children, is unable to compose the new song for his fiancée, the singer, although the premiere is near. He cannot believe his eyes as he sees the official decision that he will soon get an apartment on his own. Yet his joy is soon over. The pharmacist Ács Éva arrives with identical documents. The situation which evolves as a result of the new co-tenancy forces them to cover up things before their partners.

The ancient families of Kont and Hadhazy have long been at war with each other. Lord Cont is a supporter of Vienna's rule, while Hadhazy is a follower of the Hungarian revolutionary Kossuth. Lord plans to fight Hadhazy at an approaching county meeting. Vicky, the beautiful and savvy daughter of Hadhazy's family, just before this, returns home from a Swiss boarding school for young girls, expelled because of her behavior. Vicky, dressed in a man's costume, goes to defend her father and with the honor of a nobleman fights the young scion of a family hostile to her. The young man's name is Feri Kont, and he mistakes the young man's introduction to Vicky for her brother Kalman Hadhazy. The political conflicts between the two families are mitigated by love complications. A misunderstanding at a county ball is brought to light, and the two warring camps are reconciled through the love of Vicky and Feri.