Michino Yokoyama

Intrepid tax investigator Ryoko Itakura sets her sights on the mysterious and philandering Hideki Gondo, a suspected millionaire and proprietor of a thriving chain of seedy hourly hotels, who has for years succeeded at hiding the true extent of his assets from the Japanese authorities. Itakura and Gondo soon find themselves engaged in a complicated, satirical battle of wits.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

Kon Ichikawa's retelling of the classic true story of Samurai honor. When a young clan lord is forced to commit seppuku (ritual suicide), his loyal followers (now Ronin, masterless Samurai) dedicate their lives to avenging his death.

When Wabisuke's father-in-law unexpectedly dies, the family goes through a series of random events and occurrences as the funeral unfolds over three days in their home.

Set in the postwar turmoil, Akasaka no shimai paints a vivit portrait of the life of three sisters who struggle to live in Tokyo.

This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.

A drummer falls for a pawnbroker's daughter.

Just when Hideki thinks he will lose his virginity, he gets hit by a car, and dies. God gives him a 2nd chance by placing his mind into the body of Sachiko's best friend, a girl. Can he convince Sachiko of his love?

A contemporary comedy.

Three girls go on a trip after a friend commits suicide and learn about friendship.

A film about the life of Kiyoshi Yamashita, a Japanese painter with disabilities.

An Ishiro Honda film.

Ryuta and Mineo Komatsu are brothers, both yakuza (gangsters). Mineo, although complicit in crime, even murder, wants out of the gangster life, hoping to become a successful singer instead. Ryuta loves his brother, but Mineo's possible defection presents problems for the gang, and Ryuta realizes he must kill his brother if he wants to survive.

Nayoko, a good-hearted geisha, brings luck to the men she sleeps with, even though most are scoundrels who don’t deserve it.

Contemporary comedy.

The mythical adventures of the legendary Chinese trickster Monkey, who must outwit a variety of wily demons who stand in the way of him and his fellow Buddhist travelers. Though portrayed as a literal, if rather anthropomorphized, monkey in the original legends, this film substitutes the spindly comic actor Norihei Miki, sans makeup.

A "hustler's hustler" (Takarada), works his way up the corporate ladder at a camera company. His biggest scheme involves winning the business of a foreign visitor by setting him up with a beautiful "model" (Tsukasa), actually a bar hostess, but the plan backfires when the would-be executive falls for the woman himself.

A drama depicting the world of the female writer Midori Osaki in three parts: the dramatic creation of her masterpiece, "Wanderings in the Realm of the Seventh Sense," her unknown years spent in poor health and poverty, and the present-day world from which we see her work.

When Sergeant Okubo's brother is murdered at a Japanese outpost in Northern China during the Second World War, Okubo poses as a war correspondent and seeks out his brother's killer.

Story of famed Japanese actress Kinuyo Tanaka, with an emphasis on her working relationship with director Kenji Mizoguchi.

The 18th "Ekimae" feature.

On August 9, 1945, the Americans dropped an atomic bomb on Nagasaki. This film, based on a story by Mitsukaru Inoue, describes the daily life of people in Nagasaki the day before that fateful event. It presents the human drama of people's lives, and their feelings of joy and sadness. These include a newlywed couple, an expectant mother, and lovers who must say farewell because the boy is called to serve in the army. Each of these people, like others in the city, hoped to live with their dreams for ‘tomorrow’. But tomorrow never comes for them, as their lives are brought to an abrupt and unexpected end. Knowing how the story ends, in this case, doesn't detract from it at all; rather, it enhances the emotional impact, which is further heightened by the poignant musical score from Teizo Matsumura. 'Ashita' is the first film in Kazuo Kuroki's 'War Requiem Trilogy,' which also includes 'Utsukushii Natsu Kirishima' (2002) and 'Chichi to Kuraseba' (2004).