Aleksandar Berček

Set during the Bosnian war in the early 1990s, Luka is a mild-mannered railway clerk whose life is turned upside down, not just by the outbreak of the war, but when his wife runs off with a local musician. Then Luka's son is conscripted and eventually captured in the fighting. To recover his son, Luka is commanded to guard a pretty young Muslim nurse who will be used in a hostage swapping operation.

An Albanian pilgrim, infected with an unknown disease, is on his way back to Belgrade from the Middle East. When doctors realize that it is a disease that has been considered eradicated, it is already too late - variola vera begins to languish and the hospital is quarantined.

On Saturday, 5 April 1941, one day before the Invasion of Yugoslavia of the Kingdom of Yugoslavia, a colourful group of random passengers on a country road deep in the heart of Serbia board a dilapidated bus, headed for the capital Belgrade. The group includes two gypsy musicians, a World War I veteran, a Germanophile, a budding singer, a sickly looking man, and a hunter with a shotgun. The bus is owned by Krstic senior, and driven by his impressionable and dim-witted son Misko.

A story about Petar Maraš, a Belgrade criminal in his late twenties, whose one reckless move causes an avalanche of events that will greatly affect the lives of those around him.

An old man named Zivojin Markovic, living in a remote village prays for his grandson Cane to go to the city, sell his cow and bring back a wife. In the city he is supposed to meet up with his grandfather's stepbrother, but this man is dead. Instead, he meets this man's two grandsons, two good-natured brothers who are nevertheless small-time criminals and experts in demolition. Cane soon clicks with these men, and also falls in love with a schoolgirl (Jasna), who he wants to marry as part of his testament with his grandfather. He gets involved in this girl's family affairs, rescuing both her and her mother from prostitution and gangsters headed by a man called Bajo, and the new group of people return to the small village in time to celebrate Zivojin's wedding to his neighbor, despite the gangsters' best efforts to stop the celebration, which results in a double wedding.

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

Sultana and the bootmaker's wife Pela looks very much like each other, with replacement clothing and residence, Sultana becomes Pela and Pela becomes Sultana. The consequence of disguise is that the Sultana are undergoing torture from Pela's husband which changes her nature, which makes positive impact on her environment. The script abounds with musical numbers that contribute to the atmosphere, establish era and the place of action, and in this play bring vaudeville jollity.

The adaptation of a play and a story of an ordinary family. The father is an alcoholic and a tyrant; the three daughters are long past the marriage age; the son is a poet and a wanderer; and the mother trying to bring them all together. The son's decision to marry and change his ways will shake the little peace left in the house.