Gustav Mahler

Composer Gustav von Aschenbach travels to Venice for health reasons. There, he becomes obsessed with the stunning beauty of an adolescent Polish boy named Tadzio who is staying with his family at the same Grand Hôtel des Bains on the Lido as Aschenbach.

Famed composer Gustav Mahler reflects on the tragedies of his life and failing marriage while traveling by train.

Marta, a talented architect living with multiple sclerosis, struggles as her illness gradually erodes both her independence and her marriage. During repeated stays at a Catholic care home, she forms meaningful connections with fellow patients and a compassionate visitor, finding brief moments of hope amid the reality of her condition. As her world continues to unravel, Marta is forced to confront the limits of love, dignity, and the possibility of choosing her own fate.

Mika, heiress to a Swiss chocolate company, is married to celebrated pianist André and stepmother to his son, Guillaume, whose mother died in a car wreck on his tenth birthday. Their lives are interrupted by the unexpected arrival of Jeanne, a young woman who has learned she was almost switched with Guillaume at birth.

'Hedd Wyn' is a 1992 Welsh anti-war biopic. Ellis Humphrey Evans, a farmer's son and poet living at Trawsfynydd in the Meirionydd countryside of upland Wales, competes for the most coveted prize of all in Welsh Poetry - that of the chair of the National Eisteddfod, which in August 1917 was due to be held in Birkenhead (one of the rare occasions when it was held in England). After submitting his entry, under his bardic name "Hedd Wyn" ("Blessed Peace") Evans later departs from Meirionydd by train to join the Royal Welsh Fusiliers in Liverpool, despite his initial misgivings about the war. Ellis is sent to fight in the trenches of Flanders. 'Hedd Wyn' was the first Welsh-language film to be nominated for an Oscar.

Jytte Rex' sixth feature explores the here and now, the once and future beyond, Death and Eros, and proof of God's existence to be found in the Black Holes in a universe of nothingness. Tangible human individuals like Adam, an astronome, and two small children move through the surreal landscapes of Jytte Rex' cinematic poetry. If a door opens, it is only to lead you into Eternity's ultimate maze.

Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.

A cinematic version of the Royal Winnipeg Ballet's adaptation of Bram Stoker's gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.

This intimately narrated journey from Russia to Rotterdam, via rail, road and Finnish ferry, is a melancholy meditation on divinity, time and place in art, purpose (or its lack) and the loneliness of the soul. Passing through misty snowscapes, half-glimpsed cities and the icy night sea-swell.

A story about art and educated men, and how their art and culture reveal themselves useless in the face of the harsh realities of the 20th century life.

Man who talks with a ghost called Black Monk is forced to see a doctor. After the treatment, he loses his ability to communicate with the ghost, becoming angry, violent and utterly unhappy.

Star pianists Martha Argerich and Maria João Pires join British conductor Daniel Harding and the Orchestre de la Suisse Romande in Geneva's Victoria Hall to perform two major works by Mozart and Mahler. Programme: W. A Mozart: Concerto for Two Pianos in E flat major Gustav Mahler: Symphony No. 1 in D major

Shot on 16mm film in the cinema-vérité style without a script, Barbara (1981) is a rare Flemish documentary profiling Barbara Henke, a Swedish fashion model living in Brussels. The camera closely follows her daily routine for several weeks, moving beyond the superficiality of the fashion industry to offer an intimate, philosophical portrait. Through long, sustained shots and atmospheric nighttime imagery, Henke speaks candidly about her career, fears, expectations, and personal views, transforming the film into a raw, unmanipulated observation of her true self.

To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.

Marie, eleven years old, is experiencing difficult times. Her parents will separate. The perception of her universe is profoundly disturbed. This exacting portrait of a child immersed in her books, music and dancing casts a dispassionate yet touching eye on the girl's reaction to the new upheaval in her life.

Each year, the annual Europakonzert concert on May 1st. Due to the worldwide covid pandemic, a very comforting programme was selected for this years concert, to encourage and to thank people in Europe and worldwide. Arvo Pärt's Fratres for string orchestra and percussion, György Ligeti's Ramifications for string orchestra, Samuel Barber's Adagio for Strings, and Gustav Mahler's Symphony No. 4.

A Space travel comes to an end and before the landing the Cosmonaut falls asleep. He does not hear signals from the Earth. The disaster approaches. When the ship flies over the native house of the Cosmonaut, the ring of the alarm clock which the Grandfather winded up sounds and the Cosmonaut wakes up.

"Four Ways to Say Farewell" is a personal introduction to Mahler and his Ninth Symphony, during which Leonard Bernstein is seen and heard rehearsing the Vienna Philharmonic Orchestra. Filmed in 1971, this rehearsal was directed by Humphrey Burton,

The Orchestre Philharmonique de Radio France and Finnish conductor Sakari Oramo celebrate the memory of composer Kaija Saariaho with a performance of one of her last works as well as Mahler's Symphony No. 5.

For Mahler, symphonies always were a means of interpreting the most convoluted philosophical problems that couldn’t be resolved verbally. The ambitious structure of the five-part Fifth Symphony spans from the Funeral March to the roaring finale. It is a forthright attempt to resolve the tragic conflict with the surrounding world. The brilliant fourth part of the symphony, Adagietto, resembles a beautifully mysterious flower that every conductor reimagines in their own style. As one of the twentieth century’s most influential maestros, Mahler redefined the conductor’s role. For him, the conductor is just as integral to his own musical works as they are to the composer. When a maestro steps onto the podium and opens the score, he recreates musical universes from scratch. Teodor Currentzis and the musicAeterna orchestra have performed Mahler’s symphonies around the world for many years. The Fifth Symphony has earned its place as one of the highlights of the cycle.

Moments and aspects of the life of a contemporary married couple undergoing a metamorphosis.

From the Rai Arturo Toscanini Auditorium in Turin, the Rai Orchestra’s principal guest conductor, Robert Treviño, presents Gustav Mahler’s Symphony No. 10 in F sharp major, performed in the version completed by the English musicologist Deryck Cooke.

Mikko Franck invites counter-alto Marie-Nicole Lemieux, the Orchestre Philharmonique de Radio France and the Maîtrise de Radio France to perform works by Dutilleux, Mahler and Strauss.

A journey in the footsteps of this century's most famous artist's muse, the last femme fatale. Alma Mahler -Werfel was worshipped by an entire generation of artists: Gustav Mahler, Walter Gropius, Oskar Kokoschka and Franz Werfel.