Acting

M.S. Sathya

No biography available.

Known For

Putaani Agents 123Putaani Agents 123 · 1979
Putaani Agents 123
7.51979
MovieFamilyDrama
Murali, an honest police officer, is falsely charged in a murder case and sentenced to death. However, things take a turn when three students race against time to prove his innocence.
Bangarada KallaBangarada Kalla · 1973
Bangarada Kalla
6.01973
MovieFamilyDrama
A corrupt landlord secretly smuggles gold as the police get desperate to find the culprit. However, the landlord is unaware that someone close to him is planning to expose his criminal activities.
Kudure MukhaKudure Mukha · 1978
Kudure Mukha
8.01978
MovieThrillerDrama
Professor Nataraj, a historian, unearths some invaluable secrets of the past. Rekha, his daughter, seeks the help of Mohan, to save his findings from notorious criminals.
BabruvahanaBabruvahana · 1977
Babruvahana
7.61977
MovieWarDrama
Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.
Hosilu Mettida HennuHosilu Mettida Hennu · 1976
Hosilu Mettida Hennu
1976
MovieDrama
Hosilu Mettida Hennu is a 1976 Indian Kannada-language film, directed by V. T. Thyagarajan and produced by T. H. Rama Murthy
Naa Ninna MareyalareNaa Ninna Mareyalare · 1976
Naa Ninna Mareyalare
10.01976
MovieFamilyRomance
Due to her mother's disapproval, Usha has to leave her lover and get married to a man she does not love. However, fate brings the estranged lovers face to face again. The film is based on the short story Naanu Neenu Jodi by A. R. Anand.
Raja Nanna RajaRaja Nanna Raja · 1976
Raja Nanna Raja
9.01976
MovieRomanceDrama
Geetha is in quest of finding a suitor. Just when she believes that she has found her perfect match, a stalker tries to convince her that he was her lover in their previous birth.
Sampatthige SavaalSampatthige Savaal · 1974
Sampatthige Savaal
7.81974
MovieFamilyDrama
The movie is based on the play Saahukaara written by B. P. Dhuttharagi. The film was a musical blockbuster with all the tracks composed by G. K. Venkatesh considered evergreen hits. Rajkumar became popular as a playback singer with the track Yaare Koogadali from the film which became an instant hit among the audiences. He would then go on to sing regularly for his films. The film was remade in Telugu in 1975 as Thota Ramudu starring Chalam, in Tamil in 1975 as Pudhu Vellam starring Sivakumar and in Malayalam in 1976 as Themmadi Velappan starring Prem Nazir.

Filmography

Sort
BabruvahanaBabruvahana · 1977
Babruvahana
7.61977
MovieWarDrama
Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.