Hjalmar Bergman

His grace, the Lord Chamberlain and Colonel Baron Roger Bernhusen de Sars of Rogershus, Klockeberga and Björkenäs, will celebrate his 70th birthday. He decides to write his will and publish it on the birthday.

A poor Jewish family, called the Riffraff by the author, puts the great Joe Meng at the heart of high-flying plans and imaginative flair.

A young woman faces an arranged marriage imposed by her aunts as the hour of her suitor’s arrival approaches. Adapted for television from Hjalmar Bergman’s one-act play, the film uses intimate staging and close observation to explore coercion and quiet despair.

Mr Markurell the innkeeper has great aspirations for his son and he doesn't hesitate to pull a few strings to ensure his son's success at school, causing great scandal in the process.

Ludvig and Sussi Battwyhl, Louis and Katja Brenner and Julia and Kurt Balzar are upper class millionaires. They don't seem to do any real work but still need a vacation in the mountains. Everybody seems to be romantically involved with everybody. A rich American woman joins them.

The Swedenhielms is an old aristocratic family. The head of the family is professor Rolf Swedenhielm. His three children Bo, Julia and Rolf Jr also live in the house. They also have an excellent house maid, Boman. Because of the family's extravagance, they are heading for bankruptcy. But perhaps their problems would be solved if Rolf was awarded the Nobel Prize?

Engineer Rolf Swedenhielm is one of Sweden's most distinguished scientists, a festive and original person, and at the same time a man with an unwavering sense of honor. His home is managed by his sister-in-law Boman, who runs the household for him and his three children. After a lifetime of dedication to science, Swedenhielm is finally about to reap the rewards of his triumph: he is nominated for the Nobel Prize. Confusion arises about the nomination—is it a case of fraud?

At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”