Swedenhielms

Alceste has a very low opinion about humanity and is always brutally honest. This gets him into a lot of trouble.

Lydia is a problem for her husband. She is wasteful and the family have huge debts. To solve the financial problems, Lydia is planning to marry her daughter to a wealthy acquaintance.

Mr. Worthing and Mr. Moncrieff both use the pseudonym Ernest, leading to a lot of misunderstandings.

Gustav Vasa struggles to keep power while dealing with the Dacke War in his own country and his foreign debts.

Swedish TV movie based on the Hjalmar Bergman play.

A drama about a doctor and his wife. She used to be an actress, but became a housewife when she married. When she resumes her acting career the marriage crashes.

Structured as six interconnected episodes, Rabies depicts cruelty as a contagious force: each character, wounded or humiliated, passes that violence on to another. Filmed for Swedish television, Ingmar Bergman’s adaptation of Olle Hedberg’s morality play presents human behavior as a relentless chain of transferred suffering.

A knight returning home with his squire Jons after a ten-year crusade to the Holy Land finds a country paralyzed by the Black Death, a newly burned witch, a blacksmith and his runaway wife, an actress, a Virgin Mary with her child and the knight's faithful wife. All approaches the realm of the dead in a single "tragicomic long dance of death". The narrator begins with: "In a church in southern Småland is our spectacle painted on the wall just to the right of the entrance to the porch. The unknown painter has on the church wall depicted a number of people in formal long dance toward death."

An elderly gentleman lives alone in a well-appointed residential building, spending his days in habitual routines with neighbors and family. When his former wife—who left years earlier with their child—moves into the apartment above him, long-suppressed tensions resurface, leading to a series of charged encounters.

A young woman faces an arranged marriage imposed by her aunts as the hour of her suitor’s arrival approaches. Adapted for television from Hjalmar Bergman’s one-act play, the film uses intimate staging and close observation to explore coercion and quiet despair.

A playful television adaptation of a Renaissance sex comedy in which two Venetian women compete for the attentions of a charming outsider during carnival. Deliberately theatrical and stylized, the film reflects Bergman’s interest in farce and performance.